<?xml version="1.0" encoding="UTF-8"?>
<itemContainer xmlns="http://omeka.org/schemas/omeka-xml/v5" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://oralhistories.arts.uwa.edu.au/items/browse?output=omeka-xml&amp;page=7&amp;sort_field=Dublin+Core%2CTitle" accessDate="2026-04-26T19:46:04+00:00">
  <miscellaneousContainer>
    <pagination>
      <pageNumber>7</pageNumber>
      <perPage>10</perPage>
      <totalResults>85</totalResults>
    </pagination>
  </miscellaneousContainer>
  <item itemId="23" public="1" featured="0">
    <collection collectionId="1">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>UWA ORAL HISTORIES</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>A collection of interviews with former UWA staff, recorded by the &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society" target="_blank"&gt;UWA Historical Society&lt;/a&gt; to mark the Centenary of the University in 2013. &lt;br /&gt;The UWA Historical Society’s &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society/oral-histories" target="_blank"&gt;Oral History Program&lt;/a&gt; started as a project with four oral histories funded from Society resources. It was then expanded with support from every Faculty on campus, the Guild, Convocation and through private donations. Additional funding was received through a Heritage Grant.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1160">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="225">
              <text>John Bannister</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="226">
              <text>Louis Landau</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="227">
              <text>Interview 1: 41 minutes, 42 seconds&#13;
Interview 2: 47 minutes, 12 seconds&#13;
Total: 1 hour, 28 minutes, 54 seconds</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="15">
          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
            <elementText elementTextId="228">
              <text>128 kbs</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="16">
          <name>Time Summary</name>
          <description>A summary of an interview given for different time stamps throughout the interview</description>
          <elementTextContainer>
            <elementText elementTextId="229">
              <text>Interview 1&#13;
&#13;
00:00:00 Louis Isaac Landau Background Melbourne 1942. Origins of study in Melbourne. Psychiatry. Paediatrics. Children’s Hospital Melbourne. Howard Williams asthma. Interest in paediatric respiratory medicine. Montreal. Research Melbourne and Montreal. Looking at respiratory illness in large cohort of children.&#13;
00:06:00 William McNickle study. Studying in detail in utero. Ultra sound. Recruiting mothers and studying babies to the age of 22. Sabbatical in Jerusalem and the pressurising box. Lung function in babies. &#13;
00:10:10 Importance in sabbatical for advancement. Bill Macdonald dies. Coming to Perth and applying for the chair. Mary Margaret Patricia Ryan persuades to Perth.&#13;
00:13:30 Head of paediatric and thoracic medicine in Melbourne. Bill Macdonald reputation. Princess Margaret Hospital. Jack Mann and Houghton’s winery.&#13;
00:17:15 Reputation of UWA and early career. New medical school. Professor of paediatrics and impressions of UWA in 1984. Bill Macdonald and his influence on UWA. Poor part of Princess Margaret Hospital. Assisting young children. &#13;
00:22:30 UWA and rural and wider community. Sustaining a large paediatric service. Accepting trainees in WA. Larger populations in rural community. Running the small department of 5 or 6 people. Growth and growing. Bill Macdonald and research. research and practice. Telethon child institute and funding.&#13;
00:27:00 Gustav Nossal. Looking for a director. Fiona Stanley. Support and generous to needs. Jonathan Carapetis. Development of the institute. Memories of Fiona Stanley. ‘One day she is going to do great things’. Working with her.&#13;
00:30:20 Support of the department from the university. Isolation. Princess Margaret Hospital and QEII site. Contributions of and commitment, principal players. Des Gurry, Ian Lewis, Kevin Turner, Peter Le Souef. &#13;
00:34:55 Bill Karmen. The sabbatical system. London and institute for child health and cohort studies. Bristol study. The Raine Study. Learning from sabbatical experience. Two racial groups and genetic make up. Inaccurate data. &#13;
00:40:30 Reputation and Importance of UWA. Barry Marshall. International recognition. &#13;
&#13;
&#13;
Interview 2&#13;
&#13;
00:00:00 Memories of Des Gurry, Ian Walpole, Bill Macdonald. Athol Hockey, Pru Manners. Doctor Ian Mormon main role in hospital. Peter Le Souef and David Forbes. &#13;
00:03:30 1996 dean of the faculty of medicine. Aims and expansion. Curriculum. Moving into the future. Graduate entry course. Vary from law to science. Small range of undergraduate courses. New style of teaching. Funding simulation centre. Edith Cowan and WAAPA. &#13;
00:07:50 Government funding and commitment to rural training. Port Hedland – Kalgoorlie. Successful achievements. Rural clinical school. Satisfying development and the teaching of dentists. Increasing numbers of students. new development. &#13;
00:12:10 Training of dentistry in rural sights. isolated communities requiring dental. Child and adult health research centre. Funding and WAIMR. Increasing aging population. Sir Charles Gairdner Hospital, Fiona Stanley Hospital. Education and curriculum unit and developments. Teaching on the run Fiona Lake. Lectures on the program.&#13;
00:17:00 Inter campus and competition with other universities. UWA’s position. Notre Dame. Murdoch and Edith Cowan. Competing and cohesion. &#13;
00:21:30 Personal research. Lung function in babies and elder children. Anti smoking lobby. Writing papers. Research into childhood asthma and in utero. East and West German comparisons with asthma. &#13;
00:26:54 New drugs Theophylline and Ephedrine. Adrenalin. Difficulty with treatment of asthma. Ventolin and steroids. Problems with Cystic fibrosis. Methods of treatment. Pollution in child health. Allergies. &#13;
00:32:30 WA and Allergies clean environment and growth in asthma. Order of Australia medal for work in Paediatrics. Credit for others. NHMRC, AMC and other organisations. Proud of contributions. Study and training in medicine. Drugs registered.&#13;
00:39:45 ADHD is a political football. Autism spectrum disorder. The autism association. Current situation with chid health. Social and emotional issues. Pressures that children are exposed to. Suicide. Collaboration and infrastructure. &#13;
00:44:50 Direction of UWA today. Medicine and paediatrics recognised internationally recognised. Robert Smith, Fay Gale, Deryck Schreuder and Alan Robson. Robson was very supportive. Hopes for Paul Johnson.&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Audio Files</name>
          <description>Links to audio files</description>
          <elementTextContainer>
            <elementText elementTextId="1112">
              <text>&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/79db5d51015bae79a71c755e98b18812.mp3"&gt;Landau, Interview 1, Track 1&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/95139f6e834b69b2b2f78948567e13a3.mp3"&gt;Landau, Interview 1, Track 2&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="217">
                <text>Louis Landau interview, 20 September 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="218">
                <text>Medicine</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="219">
                <text>In 1984 Louis Landau became Professor of Paediatrics at UWA and from 1996 he was Dean of the Faculty of Medicine and Dentistry at the University. During the interview he speaks of the growth at the university in the department of medicine that he helped to develop during his 20 year involvement at the university. He looks at the important people associated with the development of the department and includes his impressions of Bill Madonald and Fiona Stanley among others.&#13;
Louis was also helped to establish two of Perth’s most significant medical research institutes – the Telethon Institute of Child Health Research (TICHR) and WA Institute of Medical Research (WAIMR).&#13;
A specialist in the field of paediatrics, he is the founding chair of the Institute for Child Health Research. Louis talks of his work and research in the department of paediatrics at the Princess Margaret Hospital. &#13;
Landau is a champion of research and teaching and has been awarded the Order of Australia Medal for his work in paediatrics and respiratory medicine. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="220">
                <text>Landau, Louis</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="221">
                <text>University of Western Australia Historical Society</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="222">
                <text>Copyright holder University of Western Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="223">
                <text>MP3 files</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="224">
                <text>Oral History</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="67" public="1" featured="0">
    <collection collectionId="1">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>UWA ORAL HISTORIES</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>A collection of interviews with former UWA staff, recorded by the &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society" target="_blank"&gt;UWA Historical Society&lt;/a&gt; to mark the Centenary of the University in 2013. &lt;br /&gt;The UWA Historical Society’s &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society/oral-histories" target="_blank"&gt;Oral History Program&lt;/a&gt; started as a project with four oral histories funded from Society resources. It was then expanded with support from every Faculty on campus, the Guild, Convocation and through private donations. Additional funding was received through a Heritage Grant.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1160">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="886">
              <text>Julia Wallis</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="887">
              <text>Lyn Beazley</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="888">
              <text>Interview 1: 55 minutes, 8 seconds&#13;
Interview 2: 1 hour, 3 minutes, 50 seconds&#13;
Interview 3: 49 minutes, 53 seconds&#13;
Total: 2 hours, 48 minutes, 51 seconds</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="15">
          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
            <elementText elementTextId="889">
              <text>128 kbs</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="16">
          <name>Time Summary</name>
          <description>A summary of an interview given for different time stamps throughout the interview</description>
          <elementTextContainer>
            <elementText elementTextId="890">
              <text>Interview 1&#13;
&#13;
Track 1	&#13;
00:00	Introduction by Julia Wallis&#13;
00:50	&#13;
&#13;
Track 2	&#13;
00:00	Lynda (“Lyn”) Dent Beazley was born in Gravesend, Kent, UK and educated at Gravesend Girls’ Grammar School. The school had excellent science teachers and on a trip with her Botany class Lyn visited Down House , the home of Charles Darwin, saw his specimens and was able to look through his microscope. This cemented her interest in Biology. Lyn was the first one in her family to go to University and was accepted into Somerville College, Oxford. The college was very science focussed and a previous student Dorothy Hodgkin won the Nobel Prize in Chemistry in 1964. After a first year of Botany and Zoology, Lyn switched to Zoology. She studied under Nikolaas Tinbergen who shared the 1973 Nobel Prize with Karl von Frisch and Konrad Lorenz for their discoveries concerning organisation and elicitation of individual and social behaviour patterns in animals. The course included the study of biochemistry and physiology. There was a large practical component in labs and field trips such as Wytham Woods. &#13;
09:57	There were 40 students doing Zoology - half men and half women. The degree took three years. Lyn did a summer job as a research assistant working at McGill University in Montreal. While at Oxford, she attended an evening lecture with Dr Mike Gaze from Edinburgh University on his work on brain recovery after injury and how to restore sight. Lyn won a scholarship to do a PhD at the Physiology Department at Edinburgh University. Her study was based on the development of the nervous system in frogs, how the eye connects up with the brain and how those broken connections can be regrown. She was three years in Edinburgh and met her future husband, Richard, a medical student, here. Lyn joined a student charity called Children’s Holiday Venture (a bit like Camp for Kids).&#13;
14:49	When she had finished her PhD, Richard had graduated but needed to stay in Edinburgh to gain experience as a junior doctor. Lyn worked as a research assistant in the Psychology Department at Edinburgh. In the evening and weekends she set up her own lab and applied for funds from the Science Research Council to pursue her own research in neuroscience from 1970 to 1975. By this time the couple had a daughter and were looking for somewhere where they could both work so began to look overseas. Luckily they were both offered jobs at UWA. &#13;
20:02	Lyn had a 2 year university research fellowship in the Psychology Department and then switched to National Health and Medical Research Council Funding which continued until 1994. They had two more daughters here and settled in Perth. They knew nothing about UWA. Lyn was not offered the fare for her husband and daughter whereas Richard was! Lyn queried this and UWA offered her a bigger travel allowance which enabled her to bring her lab equipment out and set up really quickly. They stayed in a motel in South Perth and then were given University accommodation in Monash Avenue. The Tuart Club provided the basics until their household items arrived. They were made to feel very welcome.&#13;
27:23	Lyn was employed by Psychology to work on vision with Professor John Ross who generously allowed her to set up a research team in her area of study. Neuroscience was a new and upcoming area.&#13;
32:14	Lyn was struck by the beauty of the UWA campus and how friendly everyone was. She was invited onto committees and boards to ensure female representation both at UWA and on national committees. Psychology sat under the Arts and the Science Faculties. Lyn worked with the Zoology Department and the Pathology Department. At one point Science split into Faculty of Life and Physical Sciences and Natural and Agricultural Sciences. They have now merged again. Lyn moved into Zoology in 1994. Zoology at UWA was more specialised whereas Zoology at Oxford covered everything. Lyn came in as Professor of Zoology. She brought a team in with her including Sarah Dunlop (now Winthrop Professor and Head of School) and Shaun Collin (now Winthrop Professor). There was only one other female in the department before her arrival and the department had recently moved from Crawley Avenue into the new premises.&#13;
41:19	Lyn began working on how the nervous system forms and repairs itself using Australian marsupials. Shaun Collin was studying how the nervous system worked in different types of animals. There was a belief that marsupials could not see colour which the team disproved. Shaun is now the world leader on shark vision.&#13;
46:14	The Department had once worked closely with Perth Zoo but the zoo is now a research institution itself. UWA students go into a huge range of different careers. Lyn set up a vacation scholarship scheme and they have relationships with the University of Bath and some Dutch universities.&#13;
50:23	Unlike Oxford, UWA has no physical connection with the city of Perth. This made it easier to commute to and from work and fit in with a young family. However, it does make it harder for UWA to build strong links with industry government and community due to its physical separateness.&#13;
54:18	&#13;
&#13;
Interview 2&#13;
&#13;
Track 1	&#13;
00:00	Introduction by Julia Wallis&#13;
00:38	&#13;
&#13;
Track 2	&#13;
00:00	Lyn came to UWA on a Research Fellowship Scheme which lasted for 3 years. Then she switched to National Health and Medical Research Council funding. The NHMRC was expanding their Career Fellowships programme. It was Federal Government funding which supplied a salary and appointed the grantee to a scheme that was part of a fellowship programme. This gave the Fellow a career structure which matched that of the universities. Lyn was a Principal Fellow which was equal to Associate Professor level. Lyn was research only staff unlike the teaching and research staff who were appointed by the university. Research only staff couldn’t supervise students in their own right. There could also be a disparity in the salary that was paid by UWA and NHMRC. Professor Nigel Laing was very strong in making the UWA Senate recognise and address this inequality. The university grew its research profile by attracting these fellowships.&#13;
06:59	In late 1993, Lyn had built up a large research group but decided that she needed more professional stability and wanted to switch across to a teaching and research job. She managed to get a very prestigious 5 year programme grant in 1992 or 1993 to research the development and regeneration of the visual system. This was the only NHMRC programme grant awarded in Australia that year. Lyn put this grant together along with Professor Sarah Dunlop and Professor Shaun Collin and PhD student Alison Harman who is now involved in special needs teaching. &#13;
09:41	Lyn did not hold an undergraduate degree in Psychology so could not hold a Chair there. She was looking for jobs elsewhere but fortunately UWA had just introduced the fast track path to professor scheme. Lyn got the job offer on 24 December and had the option of choosing between Biochemistry and Zoology. The staff in Zoology had just moved from Crawley Avenue to a new purpose built building located at the southern end of campus. The staff took a vote to accept Lyn and her team.&#13;
15:31	Lyn was happy to be back in the Zoology Department and took on some first and second year teaching. Then she taught a third year unit in comparative neuroscience (in animals). This was a new degree set up by UWA. At one stage it was not easy to work across faculties but UWA were keen to support initiatives between them. Lyn did joint projects with Professor John Papadimitriou in the Pathology Department and with the Lions Eye Institute.&#13;
18:51	Lyn was only Head of Zoology for a short time as she was heading the research and could only carry about half of the teaching load. She was head briefly (for about 9 months) between Professor Don Bradshaw and Professor Dale Roberts while Dale was on sabbatical leave. Lyn was looking at equity issues across the university and particularly in Zoology. It took some time to “bed down’ the department when they moved into the new premises. Dr Jane Prince assisted by passing on her knowledge of first year teaching. Zoology is a wide-ranging discipline but everyone is there because they love their subject and they were all interested in what each other were doing. Lyn was fascinated by Phil Withers’ work on moles in the South African deserts.&#13;
22:26	Social interaction outside work was difficult for the female staff due to family commitments. The department had barbecues and events and social events after seminars. Barriers were broken down on field trips. Mike Johnson got a grant to take his Ecology students to Ningaloo Reef. Zoology technical staff such as Wally Gibb provided fantastic support. Wally knew all about native animals. Where possible the students were given live animals to study. Quokkas were Lyn’s main research area. The second year students studied quokkas on Rottnest as well as reef structure, tracking wasps that made nests in mud, the migratory birds and the salt lakes. They stayed overnight and cooked all their own meals. The students were in small enough groups to get a great deal of practical experience and to get to know each other. Zoology had a high number of romances and marriages! &#13;
29:03	The students also did group projects especially in their Honours year. The quokka colony used by UWA was on the north side of Stirling Highway in the old Zoology Department. The overflow colony was at the UWA Underwood Campus. The quokkas like the protection of grass trees. Some of them were tame and others had to be caught in a net. The researchers measured the young and were interested in how the eye developed.&#13;
34:53	The Zoology Department had links with other universities in the world. Dr Jenny Rodger came from Bath University. UWA students did not travel overseas but overseas students visited UWA. Sabbatical overseas visitors came for up to a year. Some Zoology students visited study sites at Jurien Bay or in the Dryandra Woodland. Dr Tony Friend of the then Department of Environment and Conservation (located at Matilda Bay) helped students (such as Dr Catherine Arrese ) to study animals in their natural environment. The Department also worked with the Perth Zoo on numbats.&#13;
38:58	The Zoology Department had more international links than national links. Professor Leigh Simmons established a major research group on evolutionary biology and sexual selection. He had international connections. Professor Bradshaw had links with France and Lyn with Oxford – Professor Russell Foster was a regular visitor as was Professor Jack Pettigrew from the University of Queensland. Zoology also had links with Moorfields Eye Hospital in London. Professor Kwok-Fai So from the University of Hong Kong was a regular visitor. There were not many Asian students at that time.&#13;
43:02	&#13;
&#13;
Track 3	&#13;
00:00	Alan Robson asked Lyn to represent UWA on the RAINE Foundation . She sat on the Research Committee at UWA for several years and was on a UWA committee to select the new Vice-Chancellor and sat on many promotion committees. She also sat on similar committees for other universities in Australia. She was a Board Member of the Institute of Advanced Studies, was the longest serving member (leaving in 2013) and is now a Distinguished Fellow. She also served on the Board of UWA Press under Geoff Shellam’s Presidency. Like him, she was passionate to keep the Press alive. The Press published books on Australian reeds, fungi and frogs. Lyn was a member of the Australian Science Technology &amp; Engineering Council (ASTEC) ASTEC gave advice to the Federal Government on science policy. Lyn co-wrote a paper on Ageing and Health with Professor Jim Peacock which was presented to Parliament. Professor Peacock later became Australian Chief Scientist (2006-2008). Lyn was keen that WA be part of the national scene. She was on several NHMRC committees. One considered ethical issues on scientific breakthroughs. &#13;
07:36	Lyn sat on an international committee on brain research and education. She thinks it is essential for WA to be a national player as otherwise the isolation of the State would mean that it lost touch with what is happening in the rest of the country. The meetings for ASTEC were held in Canberra every month. The National Health &amp; Research Council expanded its scheme to have a larger group of Fellows and set up a National Association. Lyn was asked to lead that, visited Fellows in all the States and compiled the National Association of Research Fellows .&#13;
09:43	Lyn was invited to be a Trustee on the Board of the WA Museum in 1999 under the Chair, Dr Ken Michael (later Chancellor of UWA and Governor of Western Australia (2006-2011). She did two terms (of 4 years) retiring from the Board in 2006 when she became Chief Scientist. She was the inaugural Ambassador for the Museum and Patron of the Friends. &#13;
14:47	Lyn supports collaborations between the WA universities. She set up Dolphin Watch as a Citizen Science project when she was Chief Scientist working with Murdoch and Curtin universities. The Zoo supported UWA’s numbat programme. Sarah Dunlop has been working with the physiotherapy group at Notre Dame University. Lyn is the Sir Walter Murdoch Distinguished Professor of Science and is currently finalising an adjunct with Curtin University. She works with Professor Pete Davies from the UWA Albany campus and has supported the setting up of a Science Campus there plus more UWA presence at Geraldton. She would like to see more integrated courses between TAFE and the universities. CSIRO is another possible partner especially with regard to studies in agriculture and radio astronomy. UWA and Murdoch have a lot of joint interests. &#13;
20:11	&#13;
&#13;
Interview 3&#13;
&#13;
Track 1	&#13;
00:00	Introduction by Julia Wallis&#13;
00:43	&#13;
&#13;
Track 2	&#13;
00:00	Lyn was appointed as Chief Scientist in 2006. The previous Chief Scientist in WA was Professor Bruce Edward Hobbs. The role varies across the different States. It was a big learning curve. Lyn saw the job as one that assisted and liaised with Industry, government, academia and the community. The Chief Science is the voice for science in the community but is independent of government. &#13;
06:51	Many government ministries have science in their portfolios. Lyn worked especially closely with Environment, Mines and Petroleum, Fisheries and Agriculture as well as Education. The job was half time at first but became a full-time post. Lyn was seconded from UWA with the support of her team. &#13;
09:31	Lyn was the first female Chief Scientist in Australia. She has used the role to promote women in science initiatives and women in science networking events. The issue of women in leadership roles is very close to her heart. &#13;
14:10	Education must target young people and makes them realise that science is relevant and that there are employment opportunities. Earth Science Western Australia works with industry and education. Now with mobile phone apps, people can join projects like Climate Watch or River Watch. Lyn sees science as a practical subject and is supportive of the lab technicians.&#13;
19:39	Field trips are organised with tertiary institutions by the Zoo and the Department of Environment and Conservation. Partnerships with the arts are also essential. Lyn helped set up a programme involving primary schools around the world looking at the moon. Citizens of the world today must know more about science to assist their community.&#13;
23:38	Being Chief Scientist was a very busy role. There were lots of evening events and early morning starts as well as weekend work. It was an opportunity to bring different groups together. Lyn did gigs on the radio – mainly with the ABC but feels that Dr Karl does a better job! &#13;
26:19	&#13;
&#13;
Track 3	&#13;
00:00	Lyn was Chief Scientist for 7 years. Professor Peter Klinken is now in that role. As a result of being Chief Scientist, Lyn has become patron of many organisations and has been invited to sit on boards. She is now involved with Fairbridge. She is still visiting schools and involved with various Chambers of Commerce. She was 3 years on the Board of Kings Park. &#13;
04:25	The Transport Infrastructure Advisory Group was another body Lyn was involved with. Lyn advocated for a bus between Subiaco station and UWA serving the community, the hospitals and the university.&#13;
06:51	Today Lyn is visiting Dreamfit an organisation set up by UWA mechanical engineering student Darren Lomman to help people with disabilities. She is visiting Manjimup with the Department of Agriculture and Food at the weekend. She is in Melbourne chairing a meeting next week. She is also involved with ear science headed by UWA Professor Marcus Atlas. At lunchtime she is being interviewed by the Western Australian newspaper for Science Week.&#13;
10:14	In 2012, was selected by the Governor’s Giving Award to choose the charity or charities that would between them receive $100,000. She nominated Brightwater Oat Street and the Western Australian Museum indigenous scholarship programme.&#13;
16:54	In 2011, a sponge was named after her that had been identified by Dr Jane Fromont of the WA Museum. It is bright red and lives off Rottnest. It is the Manihinea lynbeazleya.&#13;
18:34	Lyn had lobbied government for funding for the Neurotrauma research programme. They also knew her as a trustee of the WA Museum. She thinks that this might have led to her being offered the role of Chief Scientist.&#13;
20:49	Lyn believes that she has been very lucky. She has thoroughly enjoyed her Zoology degree and still enjoys the field.&#13;
22:59	&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Audio Files</name>
          <description>Links to audio files</description>
          <elementTextContainer>
            <elementText elementTextId="1072">
              <text>&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/b694a1893d86f364ec9cd72e48f0b5e8.mp3"&gt;Beazley, Interview 1, Track 1&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/34f8b08708bce878ad759c7a78cd59f8.mp3"&gt;Beazley, Interview 1, Track 2&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/af85b181be26d770d407f75785b01e1d.mp3"&gt;Beazley, Interview 2, Track 1&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/9e47d119b98ee483af448d5b38f74a57.mp3"&gt;Beazley, Interview 2, Track 2&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/788f2671136adc21501a3ccb0ef9ffcf.mp3"&gt;Beazley, Interview 2, Track 3&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/d03d19326ec5c6527047066946a65494.mp3"&gt;Beazley, Interview 3, Track 1&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/765439da10c10c8e8cd6337a77d34fc5.mp3"&gt;Beazley, Interview 3, Track 2&lt;br /&gt;&lt;/a&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/ad911f5eb2929ecb7429b67c2013a1b8.mp3"&gt;Beazley, Interview 3, Track 3&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="604">
                <text>Lyn Beazley interview, 21 July 2014, 4 August 2014 and 14 August 2014</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="879">
                <text>Science</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="880">
                <text>Professor Lyn Beazley is an adjunct staff member of UWA (1976-2013). She was appointed Chief Scientist of Western Australia in 2006. The Chief Scientist of Western Australia is an independent advisor to the State Government providing advice on topics that are important to the future of science in Western Australia. Reporting directly to the Minister for Science, the Chief Scientist of Western Australia is supported by the Office of Science. Lyn retired from this role in 2014. &#13;
Lyn was awarded Officer of the Order of Australia in January 2009 and made a Fellow of the Australian Academy of Technological Sciences and Engineering later that year.&#13;
After her education at Oxford and Edinburgh Universities, Lyn built up an internationally renowned research team that focused on recovery from brain damage, much of the research done at the University of Western Australia.&#13;
Lyn has served on numerous bodies advising State and Federal Governments, including advisory boards to the Australian Research Council, the Australian Synchrotron and Western Australia’s Low Emissions Energy Development (LEED) Fund. &#13;
She is a member of several boards such as The Institute for Radio Astronomy Research (ICRAR) and the Botanic Gardens and Parks Authority (BGPA).&#13;
Lyn is also a member of the new Technology and Industry Advisory Council (TIAC) to the Western Australian Government. In March 2011, she was inducted into the inaugural Western Australian Women’s Hall of Fame.&#13;
Lyn is currently a Distinguished Fellow of the Institute of Advanced Studies and the Sir Walter Murdoch Distinguished Professor of Science.&#13;
She is married with three daughters.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="881">
                <text>Beazley, Lyn</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="882">
                <text>University of Western Australia Historical Society</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="883">
                <text>Copyright holder University of Western Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="884">
                <text>MP3 files</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="885">
                <text>Oral History</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="83" public="1" featured="0">
    <collection collectionId="1">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>UWA ORAL HISTORIES</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>A collection of interviews with former UWA staff, recorded by the &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society" target="_blank"&gt;UWA Historical Society&lt;/a&gt; to mark the Centenary of the University in 2013. &lt;br /&gt;The UWA Historical Society’s &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society/oral-histories" target="_blank"&gt;Oral History Program&lt;/a&gt; started as a project with four oral histories funded from Society resources. It was then expanded with support from every Faculty on campus, the Guild, Convocation and through private donations. Additional funding was received through a Heritage Grant.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1160">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="696">
              <text>Julia Wallis</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="697">
              <text>Margaret Seares</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="698">
              <text>Crawley, W.A.&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="699">
              <text>Interview 1: 53 minutes, 55 seconds&#13;
Interview 2: 55 minutes, 26 seconds&#13;
Total: 1 hour, 49 minutes, 21 seconds</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="15">
          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
            <elementText elementTextId="700">
              <text>128 kbs</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="16">
          <name>Time Summary</name>
          <description>A summary of an interview given for different time stamps throughout the interview</description>
          <elementTextContainer>
            <elementText elementTextId="701">
              <text>Interview 1&#13;
&#13;
Track 1	&#13;
00:00	Introduction by Julia Wallis&#13;
00:38	&#13;
&#13;
Track 2	&#13;
00:00	Margaret was born on 2 December 1948 in Surrey, England while her parents were working here after the Second World War. She was educated at St Hilda’s Anglican School in Mosman Park. She got a basic Christian education which helped her when she studied music later on. Music education at St Hilda’s was mediocre and Margaret took piano lessons outside. Nobody in her immediate family had been to university. She got a scholarship to UWA after taking a year’s break to do her piano diploma. In her first year at UWA she studied Music, French, History and Political Science. In second year, she did music and history. She was invited to do Honours in both subjects but decided to opt for music and took musicology. Later she did a Masters and a PhD at UWA.&#13;
05:40	The old music department was located at Tuart House in Crawley where the Festival Offices are now located. The rooms were not sound proofed. There was a prefab building where lectures were held. The music library was old but contained good material and listening booths. The School was a tight knit group as they were away from the main campus. Margaret became involved with the student choral society and David Tunley’s a capella choir. The music students stayed on campus most of the day and sometimes stayed back after hours to listen to music. The course was quite intensive. Sir Frank Callaway was head of department and very ‘old school’. David Tunley was inspiring. Sally Trethowan wrote reviews for the West and lectured on Wagner. John Exton was from Cambridge and advocated 20th century serial music but was dismissive of Tchaikovsky. Margaret is very fond of baroque music. All the music taught was strictly classical.&#13;
11:43	Many of the students became teachers. Frank Callaway headed up music education. Some students studied performance, others like Jennifer Fowler, studied composition. It was quite acceptable then to study for the joy of study without an end in mind. There was a tradition of youth concerts. During the Festival they had a classical music forum where young composer such as Ross Edwards and Carl Vine (both of whom later became famous) would be tutored by a visiting international name. In addition, visiting lecturers were invited from interstate and abroad to work with the students and do a series of concerts.&#13;
16:04	As well as lectures and some practical work, students benefited from a one on one tutorial. The Music School introduced the concept of listening tests. Students would listen to the music in the Music Library. Margaret was the piano accompanist for the undergraduate choral society for many years. This helped to make her a good sight reader. She took cello lessons at this time and in the 1980s, she learnt to play the harpsichord.&#13;
20:50	Margaret chose baroque music as her Honours topic (François Couperin), supervised by David Tunley. He also supervised her Masters (French Stage Music) and PhD (German keyboard music). In Margaret’s Honours year in 1970 there were only two students studying musicology; a couple did composition and more did performance. The Music School was small and intimate and students and staff shared a close relationship.&#13;
24:14	Outside of music, Margaret played netball. She took friends to the family farm and they camped in the bush. She also sang in a rock band for a while. There were plenty of balls and parties. Balls would be organised by Arts or one of the colleges. Margaret had friends at Currie Hall, St Catherine’s and Kingswood that she met through the choir. A big highlight for her was taking part in inter-varsity choral festivals throughout Australia.&#13;
26:25	In 1970, after graduation, Margaret studied for a Masters’ degree. In 1972-3, she travelled to the UK and Europe for a working holiday. Margaret took a break from music but still attended concerts. She saw famous conductors and soloists as well as operas such as Debussy’s Pelléas et Mélisande. Australian opera and ballet was still in the early stages of development. Margaret finds that modern opera caters for a more popular audience.&#13;
31:08	While Margaret was teaching in Slough, she received a telegram from Frank Callaway asking her to replace David Tunley while he was on study leave. The following year, she filled in for another staff member. It was good experience as she had to teach across all areas. She was invited to be classical music producer at the new radio station set up at UWA in 1977 - Radio 6UVS-FM. She designed the programme and chose the music. When she took time off to have her first child she continued to work part-time for the School of Music and the radio station. The radio station did not record music or concerts themselves.&#13;
35:36	The new music school was built on the campus in 1976. The close knit nature of the school continued when they moved onto campus and the facilities were better. Technology changed constantly. Now music students can listen to music on their own i-pods and they can do a lot more study from home. It is challenging to get students to engage with staff on campus. It is hard to make accurate comparisons with today compared with the past as data was not collected so assiduously and no student exit questionnaires were handed out until about 1995.&#13;
42:16	When Margaret was Head of School (1991-1995), the type of student had changed. The Bachelor degree in music was now considered prestigious and was more careers driven. There was some competition between the Conservatorium and UWA. Some of the best music students went on to study medicine or commerce. There was greater student engagement. Lectures became more like question and answer sessions. Ethnomusicology or world music encompasses Asian and Aboriginal music. The Music School has always had good collections from all over the world. The School of Music can arrange for students to do exchanges in other universities. Perth is not as isolated as when Margaret was studying. More people reside in Perth from interstate and from Asia, Africa and the Middle East. It is quite difficult for students from a non-Christian background to understand the subtleties involved in studying a traditional Western music course.&#13;
53:03	&#13;
&#13;
Interview 2&#13;
&#13;
Track 1	&#13;
00:00	Introduction by Julia Wallis&#13;
00:39	&#13;
&#13;
Track 2	&#13;
00:00	Margaret took over as head of school from David Tunley with the approval of the staff. Head of School is responsible for the welfare of the school and the students, the budgets and general administration assisted by the secretary and an administrative assistant. Margaret still taught but found she had less time to do research. Elected as a staff representative onto the Senate. Elected as Deputy Chair of the Academic Board. Externally, she was on the Board of the WA Symphony Orchestra. The incoming Arts Minister, Peter Foss, asked Margaret to Chair his Arts Advisory Committee.&#13;
06:20	In early 1995, Margaret was asked to apply for the job of Director of Arts WA. She was very uncertain as to whether she wanted to do this job because she was very comfortable at UWA. When she was offered the job, she negotiated with the Deputy Vice-Chancellor, Alan Robson, to do a 2 year secondment from UWA in case things didn’t work out. Working for the government was very different to academia. It was a steep learning curve. At the end of the two years, Federal Minister, Senator Richard Alston asked her to be Chair of the Australia Council – the first person from WA in this role. The Council was considered to be too Sydney-centric.&#13;
13:50	The Chair’s job is a different role. She worked very closely with Government and the arts sector. Margaret worked in this job for 4 years. She suggested that some meetings be held in the other capital cities outside of Sydney, Melbourne and Canberra. The job involved a lot of travelling. At one time she was the Executive Chair as well which meant she was both CEO and Chair. Margaret met some interesting and significant people. During this time, there was a Performing Arts Enquiry. Pauline Hanson and One Nation came to prominence. Arts funding received $43 million. Other Councillors included Ron Radford, Director of the National Gallery and Helen Nugent, who is currently conducting an enquiry into the future of the opera companies in Australia.&#13;
17:48	At the end of the 4 years, Margaret decided to step away from being a public servant as she felt that she was becoming too bureaucratic. She returned to UWA. She had been working part time at the university setting up the external community relations portfolio. She returned to work as Pro Vice-Chancellor, Community Relations. The Office of Development was set up to fund-raise, liaise with media, market UWA and encourage community outreach. Outreach programmes include the Perth Festival, the galleries, University Press and Extension. Western Australia does not receive as big a slice of Federal arts funding. Most of the money is spent on the national opera and ballet companies and the symphony orchestras. More WA representation is needed on boards and panels. &#13;
23:26	The days of strong university funding was over and it was important to set up an office of development to look at ways to attract funding from the alumni and philanthropists. The Rindos case in the early 1990s had caused very negative media for UWA. At this stage, Colin Campbell-Fraser was hired to manage UWA’s relationship with the press and public affairs. It was felt that UWA had become remote from the community. University extension was strong before the era of online courses. The Festival was the most prominent part of the outreach. David Blenkinsop was Director for 20 years. Now, directors change every four years. The Festival must attract people from all over Perth. Lotterywest provide long term funding. During Sean Doran’s time it was attempted to run a Festival in Albany, Broome, Geraldton, Mandurah and Kalgoorlie concurrently with Perth. Albany was the only centre that got a large audience take up.&#13;
30:46	Margaret was Pro Vice-Chancellor from 2001 to 2003. In 2004, Alan Robson was appointed Vice Chancellor when Deryck Schreuder left at the end of 2003. Robson appointed Margaret as Senior Deputy Vice-Chancellor (2004-2008). All the Deans reported to her. She was also responsible for staffing policies and kept an overview on community relations and external relations. She was also on a range of external committees such as the Australian Research Council. In 2008, she turned 60 and decided not to renew her contact. She retired in order to do more research as well as travel and brush up on language skills.&#13;
36:46	Her old PhD has been published as a book. She has published articles. She has visited Europe and practised her French, Italian and German. She agreed to go on too many boards and committees as she was worried she would be bored but this hasn’t been the case. Being a board member of the National Portrait Gallery; the WA Symphony Orchestra and Telethon were very enjoyable. She is still on the Board of the Perth Festival. It is not the role of the Board to interfere in the running of the organisation but to give advice. In the case of the ABC, perhaps the Board has been too hands-off. Today, there is a lot more Board assessment – internal and/or external.&#13;
42:53	Margaret was invited onto the Festival Board in 2009 and elected as Chair in 2012. When her current term finishes she will not be renewing. She believes that there needs to be younger Board members on the Festival to keep it relevant and encourage a younger audience. The Fringe Festival is different to the Perth Festival and isn’t seen as a competitor. Fringe has contributed to the vibrancy of the city. Margaret was on the Perth Revitalizing Committee from 2009-2013. It was recommended that the arts would be integrated into the vision. Local Government has not been amalgamated into the scheme as yet. However, the Chamber of Arts &amp; Culture came out of one of the committee’s recommendations.&#13;
47:03	Senate appoints the Chair of the Festival Board. Margaret is working on the recent donation by Andrew and Nicola Forrest. She has liaised between her contacts and UWA to assist with fund raising. She occasionally supervises PhDs in her role as Senior Honorary Research Fellow. The School of Music is tracking well. The new course structure has attracted students other than specialist music students. The School has a good relationship with the WA Symphony Orchestra. Generally arts and music schools in universities around Australia are struggling.&#13;
49:09	Margaret has had great pleasure from her long involvement with UWA. The challenge for UWA is to survive in the current economic climate. Having worked on both sides of the fence in universities she believes that internal communication is crucial to success.&#13;
54:47	</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Audio Files</name>
          <description>Links to audio files</description>
          <elementTextContainer>
            <elementText elementTextId="1147">
              <text>&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/9881513c47b8fbda9c493c1f3316fcad.mp3"&gt;Seares, Interview 1, Track 1&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/4d6cc00b9afb5b78608d24e8ca3fa39f.mp3"&gt;Seares, Interview 1, Track 2&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/d7f329d6226eaf6cb947b6fbcb71d719.mp3"&gt;Seares, Interview 2, Track 1&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/230248171a792e5df29028a1b0796b95.mp3"&gt;Seares, Interview 2, Track 2&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="620">
                <text>Margaret Seares interview, 6 November 2014 and 26 November 2014</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="689">
                <text>Music</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="690">
                <text>Margaret Seares holds a PhD from UWA in Music, her field of specialty being the keyboard music of the 18th century. From 1991-1995 she was Head of the School of Music, and Deputy Chair of the Academic Board at UWA.&#13;
In 1995 she accepted a two-year secondment to the position of CEO with the West Australian Department for the Arts (now the Department of Culture and the Arts), and in 1997 she was appointed to a 4-year term as Chair of the Australia Council.&#13;
She has been a member of a wide range of Boards and Councils in the government, not-for-profit, and arts sectors and is currently a board member of the West Australian Symphony Orchestra, a Councillor with the WA Chamber of Commerce &amp; Industry and with Scotch College WA, a member of the Australian Research Council's advisory council, and a member of the board of the Council for the Humanities Arts &amp; Social Sciences.&#13;
In 2003 Professor Seares was awarded the Officer of the Order of Australia in recognition of her work for the arts and education.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="691">
                <text>Seares, Margaret</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="692">
                <text>University of Western Australia Historical Society</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="693">
                <text>Copyright holder University of Western Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="694">
                <text>MP3 files</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="695">
                <text>Oral History</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="87" public="1" featured="0">
    <collection collectionId="1">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>UWA ORAL HISTORIES</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>A collection of interviews with former UWA staff, recorded by the &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society" target="_blank"&gt;UWA Historical Society&lt;/a&gt; to mark the Centenary of the University in 2013. &lt;br /&gt;The UWA Historical Society’s &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society/oral-histories" target="_blank"&gt;Oral History Program&lt;/a&gt; started as a project with four oral histories funded from Society resources. It was then expanded with support from every Faculty on campus, the Guild, Convocation and through private donations. Additional funding was received through a Heritage Grant.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1160">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="632">
              <text>Julia Wallis</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="633">
              <text>Jack Kent and Martin Grounds</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="634">
              <text>Fremantle, W.A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="635">
              <text>2 hours, 6 minutes, 58 seconds</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="15">
          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
            <elementText elementTextId="636">
              <text>128 kbs</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="16">
          <name>Time Summary</name>
          <description>A summary of an interview given for different time stamps throughout the interview</description>
          <elementTextContainer>
            <elementText elementTextId="637">
              <text>Track 1	&#13;
00:00:00	Introduction by Julia Wallis&#13;
00:00:47	&#13;
&#13;
Track 2	&#13;
00:00:00	John (“Jack”) Mallet Kent’s father established a book shop in Forrest Place, Perth. Jack was steered towards architecture by guidance counsellors but started a geology degree at UWA. Some weeks into the degree, he switched to study architecture at Perth Technical College. &#13;
00:04:28	The architecture department at Perth Technical College was housed in old buildings. Students had access to Perth for recreation. The profession had offices in the city and West Perth. The course used to be 2-3 years full-time and then students were employed for 70% of their time and studied for 30%. When Jack started at Perth Tech, the study was all full time with no practical component. The former model brought the students and the profession together. Every Friday night, the architects met in the bar of the Adelphi Hotel and students could go along to talk to them and ask questions. Today a void exists between academia and the profession.&#13;
00:09:28	The teaching at Perth Tech became more theoretically based. Today the responsibility of educating graduates in practical skills falls more on the profession. The profession can invest time into a graduate only to have them seek employment elsewhere when they become competent. However, current graduates do bring digital technology skills into the office.&#13;
00:13:50	In Jack’s day, there was no practical element to the course. The emphasis was on academic tuition. Unfortunately some of the teachers at Perth Tech were not competent teachers. 50% of the lecturers were recent graduates and very enthusiastic. The other 50% used old textbooks that were not really relevant to Australian conditions. &#13;
00:17:57	Buildings in Perth were quite conventional. The students were interested in the houses being built by architects such as John White, Duncan Richards, Wally Greenham and Bill Kierath. Design exercises in the studio involved some public housing inspired by architects such as Le Corbusier in France. &#13;
00:22:32	Martin Haslett Grounds is Jack’s partner in GKA. Martin wanted to become a farmer but realised that you needed land and wealth to make a living! Martin’s father was an architect and his uncle was a famous architect in Victoria. He had followed his father around on many of his jobs. He was an excellent draughtsman. Martin did his leaving at Leederville Technical College. He worked in Port Hedland in the break and then came to Perth Technical College to study architecture in about 1965. &#13;
00:28:32	Martin recalled that the students were very bolshie about the education they were receiving at Perth Technical College and that the place was “seething with discontent”. They were kept very busy. Reid Shaw was head of the design studio in first year and was very intimidating. Students worked in the studio late at night and on weekends finishing their projects such as designing a kindergarten. Students took drawing classes in perspective and suchlike at the Fine Arts Department in James Street. Many of these inspiring teachers such as George Haynes, Guy Grey-Smith and Robert Juniper became famous artists. Students studied structures in the Engineering Department at Perth Tech under professional engineers. They hated studying building construction and the history of architecture. Martin and Jack recall being forced to use split Indian ink pens for drafting which the profession had abandoned ten years previously! &#13;
00:38:04	Martin did not work during the vacation time. Jack was a cadet at the State Government Public Works Department. He did this for 2 years and resigned. He did not fit in as he wore jeans and a sheepskin coat and he found the PWD too bureaucratic. Cadets signed indenture papers. The whole thing was quite medieval. Students used vacations to complete personal projects. &#13;
00:43:56	The UWA course had been running for about two years by the time that Martin was in third year at Perth Tech. He was able to swap to UWA after third year. Some students went to Curtin University. A full time university course did not comprise any practical aspect in an architect’s office. Many students failed units and had to repeat them but you had to pass design. Martin recalled there were 100 students in first year at Perth Tech. By second year, this had whittled down to less than 50. By third year, there would have been about 30 students. The high attrition rate was directly related to the amount of time that students had to study – especially in the design unit. It did not allow them the opportunity to work part time to earn money. Those who stuck it out knew that they would be able to find work – even if it wasn’t in an architectural office. &#13;
00:50:51	&#13;
&#13;
Track 3	&#13;
00:00	The Australian Architecture Students’ Association Conventions were annual events. Jack was secretary of the WA branch. He realised how much work organising a conference involved and did not want Perth to host the conference. Martin recalled many of them piling into an old Hillman and driving across to Sydney for a previous conference. The students’ conference was usually held before the Institute’s conference. The Sydney conference was significant but the Perth conference [held in 1966] totally overwhelmed the Institute’s conference. Student conferences were concerned with the education of architects. A significant player at that time was Paul Ritter , the town planner who arrived in Perth in late 1964. He agreed to speak at the conference. Most of the other speakers were from overseas. The conference was hugely successful even though managing the budget was very stressful.&#13;
00:08:08	The theme of the conference was Architectural Education. The objective was to highlight the failings of the present educational system. Invited speakers were all interested in education and better educational buildings. Team 10 invitees included Jakob Bakema, Aldo van Eyck and John Voelcker. Some of the invitees were from communist countries. A party travelling from South Africa were banned from leaving the country. It is thought that the CIA was responsible for this. All the presenters were positive and enthusiastic. Martin is amazed that a man of Buckminster Fuller’s repute would bother attending a student conference – especially as they could only pay half the fee that was agreed; he was 73 years old; and had been designing geodesic domes for the American military.&#13;
00:16:05	The conference was exciting and stimulating and inspired and motivated Martin for the rest of his undergraduate days. About 500 students attended from all over Australia. They were billeted out in various places including the Showgrounds and Claremont Teacher’s College. The speakers were accommodated at various hotels in Perth. Most of the conference business took place at Claremont Teacher’s Training College. Events were held at UWA and at Yanchep. At Yanchep they had a band complete with scaffolding for a band stand, speakers and lights and food for 500 people. &#13;
00:24:43	The conference took place in about April or May. John White and more especially Duncan Richards were inspired by the conference. Duncan Richards did some projects with the students involving geodesic domes. Richards built a house in Darlington using Unistrut material. The course structure at UWA may have also been affected as Sir Harold Marshall was employed to teach acoustics to the students. There was no ‘dead wood’ amongst the lecturers at UWA. Professor Gordon Stephenson was ‘old school’ and architectural royalty in Perth. He would admonish the students for doing extra curricula activities like running a screen printing business out of the design studio, building rockets and organising the T-Square Ball.&#13;
00:28:32	Jack organised the Architects’ Ball which was known as the T-Square Ball. It took place in the Embassy Ballroom. It was vast and took months to decorate. It was the social event of the year. One year Martin made the decorations which were life size cut out cardboard celebrities. “Sympathy for the Devil” by The Rolling Stones played in the lift. This was the 1960s, a time of flower power and revolution around the world.&#13;
00:32:26	Most of the time at UWA was spent in the studio. It was a new faculty and they were a tight knit group. They felt quite separate from the rest of the campus. The fact they were in temporary mines department transportable buildings from Kalgoorlie provided a special bond. UWA staff encouraged them to explore their own ideas rather than be spoon fed and regurgitate what they had been taught. Sometimes, they could suggest their own projects. Students chose the topic for their 5th year thesis.&#13;
&#13;
Track 4&#13;
00:38:01	There was very little mingling between faculties due to the size of the campus. Martin Webb delivered lectures to the students in the Geography Department on urban planning. Otherwise, they were very isolated. Martin recalled putting together a float for PROSH based on the Australian fitness guru Sue Becker. The architecture students in their group didn’t get involved with the Guild. There were student protests (about Vietnam for instance) but they cannot recall these in any detail.&#13;
00:43:22	The students still mixed with the profession. They would drop in for Friday night drinks at the offices of Howlett and Bailey Architects. They also had contact with the profession through graduate students. The professional was sold tickets to the T-Square Ball. One of their contemporaries (a student from Malaysia) presented an award to Tony Brand at Forbes &amp; Fitzhardinge for the worst designed building of the year. There was only one girl, Maxine Canning, who lasted the distance. She transferred to Melbourne for the final two years as she felt persecuted by the academic staff. Today the majority of the students are females. There was one female lecturer at Perth Tech. Margaret Feilman was a part-time lecturer in town planning for the senior students at Perth Tech. She had been a rebel in her day.&#13;
00:50:03	Stephenson was involved in setting the guidelines for the form and materials of the buildings on campus. The students toured the Law Faculty because the building won a prize for the first successful building using off-form concrete. It was a sensation. The students did not involve themselves in controversies over Perth architecture however some firms had a better reputation than others. By this time, the profession was aware that certain materials were more appropriate for use in Perth’s climate.&#13;
00:56:21	Martin and Jack were not really aware of their own style and direction but knew what they didn’t want to do. In retrospect, they probably were influenced by things without realising it which makes it easy for them to work together and agree on things in their own practice. GKA works predominantly in Asia. They try to incorporate the material and culture of a particular country in their design. After graduating, they both worked in separate firms but always kept in touch and were sometimes even in the same building. Their partnership stemmed from a successful resort hotel design in 1989 which won the competition for Four Seasons Resort, Jimbaran, Bali. It was a 147 villas style hotel. Each villa had its own swimming pool which was a new concept. They have concentrated on designing resort hotels ever since.&#13;
01:02:11	The work has a great deal of variety because all the sites are different. Fallingwater was an inspiration for Martin and he is sure that sometimes they rework things into their own designs – not to follow them slavishly but to cherry pick design elements. The firm is design orientated and is not driven purely by profit. At Perth Tech it was driven into them that form follows function. Materials should be used appropriately and not do tricks to achieve an end. They are respectful of the materials they use and want their buildings to stand the test of time. The people at the 1966 conference were very ethical and had a sound philosophy and so did Duncan Richards and John White. Martin feels GKA have integrity in their architecture that has been passed down from their student days.&#13;
01:09:48	They don’t lecture at UWA as they are travelling constantly but they have had a number of UWA students work at their firm. One of them is now a partner in a London firm of architects. In Bali, they have been responsible for incubating 7 other architectural practices. In 2014, the two top students in Western Australia who won prizes were working for GKA.&#13;
01:15:20	</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Audio Files</name>
          <description>Links to audio files</description>
          <elementTextContainer>
            <elementText elementTextId="1143">
              <text>&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/0b7f4f25b2f7031d74f0b0f9d4684270.mp3"&gt;Grounds, Interview 1, Track 1&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/de717dc1a5234a1fd8f5b7d35abbe71e.mp3"&gt;Grounds, Interview 1, Track 2&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/39d819711a2e93f3a05fc37c39d86d15.mp3"&gt;Grounds, Interview 1, Track 3&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/4beab8be1e9c2028f6dfa3935835cc23.mp3"&gt;Grounds, Interview 1, Track 4&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="624">
                <text>Martin Grounds and John (Jack) Kent interview, 9 January 2015</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="625">
                <text>Architecture</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="626">
                <text>Martin Grounds and Jack Kent first met at Perth Technical College studying architecture. They both went on to study at the University of Western Australia.&#13;
After graduating, they collaborated on several projects before Grounds Kent Architects was created. Directors Jack and Martin share a vision to create a small, hands-on, design oriented practice that allows them to be dedicated, responsive and connected to their clients throughout the design process. Their philosophy is that wherever possible architecture should involve and reflect local conditions, materials and traditions. Each project should reflect the sense of place unique to its location.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="627">
                <text>Grounds, Martin and Kent, John (Jack)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="628">
                <text>University of Western Australia Historical Society</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="629">
                <text>Copyright holder University of Western Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="630">
                <text>MP3 files</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="631">
                <text>Oral History</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="46" public="1" featured="0">
    <collection collectionId="1">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>UWA ORAL HISTORIES</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>A collection of interviews with former UWA staff, recorded by the &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society" target="_blank"&gt;UWA Historical Society&lt;/a&gt; to mark the Centenary of the University in 2013. &lt;br /&gt;The UWA Historical Society’s &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society/oral-histories" target="_blank"&gt;Oral History Program&lt;/a&gt; started as a project with four oral histories funded from Society resources. It was then expanded with support from every Faculty on campus, the Guild, Convocation and through private donations. Additional funding was received through a Heritage Grant.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1160">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="541">
              <text>John Bannister</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="542">
              <text>Max Kamien</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="543">
              <text>Interview 1: 52 minutes, 46 seconds&#13;
Interview 2: 55 minutes, 26 seconds&#13;
Interview 3: 59 minutes, 8 seconds&#13;
Total: 2 hours, 47 minutes, 20 seconds</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="15">
          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
            <elementText elementTextId="544">
              <text>128 kbs</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="16">
          <name>Time Summary</name>
          <description>A summary of an interview given for different time stamps throughout the interview</description>
          <elementTextContainer>
            <elementText elementTextId="545">
              <text>Interview 1&#13;
00:00:00 Charles St North Perth 1936. Family background. Warsaw and New York, Palestine, Russia, Melbourne. Encouraged to come to Perth, Western Australia. Mother’s jobs. Survivors of the Holocaust.&#13;
00:07:00 Memories of schooling and Ernie Smith. North Perth and Modern School. Playing tennis inspired by school. Memories of Perth Modern School. Anti-Semitic teachers. Jeremiah Haire* Morris Zines* inspired career direction. Saviour c’est pouvior. Seventy. &#13;
00:13:15 Medicine and first-year science. Camp for Kids Club – jewel in the crown of University of Western Australia. Tennis. Memories of UWA. Orientation, Brian Stokes. Memories of Adelaide and Adelaide University. Meeting Sir Cedric Stanton-Hicks*. Doctor Lippay*. Prof Peter Kampf*. Dr Lippay story. Leben Prize* and Nobel Prize. &#13;
00:20:25 Memories of Adelaide and the Colombo Plan. Medical School starts at University of Western Australia. The Medical School – long gestation and appeal. Public subscription. Wonderful age for the students and teachers. Eric Saint brings back ideas from Cleveland. Co-mingle day. &#13;
00:25:35 Co-mingle king and Walter Murdoch. Lions of the Worth’s Circus. Tania Verstak was Miss World. Devoting life to children of spasticity. Percy Cerruty comes to the University. &#13;
00:29:30 Keeping good relationships with teacher. Ken Pawsey and Dick Lefroy were role models. Whipple’s disease* and malabsorption. Invited to the inner sanctum. Not a very good student.&#13;
00:34:05 A place to inspire the individuals. Being editor of the Reflex magazine. Mengele was to get PhD and the NAZI doctors. The Speculum. Little Red Riding Hood. And rock around the cock. The Stone Age contraceptive. Burning of the reflex. Issue number 4 of the Pelican also burned. Geoffrey Bolton*. &#13;
00:39:18 Professor Ten Seldam is a nice bully. Eric Saint and Neville Stanley invite me for a beer. Memories of Saint and Stanley. Wittenoom mine. Dick Lefroy. Getting to know the surgeons. Mother gets cancer and medical etiquette. Not charging students. &#13;
00:44:19 Eric Saint and graduation ceremony. Paediatricians were excellent. McDonald* and Lewis. Neville Stanley was ebullient and enthusiastic. Staff student sporting things. Schistosomiasis in the Ord River. Way ahead of Salk* and Polio. Memories of Harry Rees*. Memories of Gordon King. Had hypothyroid condition. Never get a class with only 15 people in it again.&#13;
&#13;
Interview 2&#13;
00:00:00 Eric Saint and the colours of the gown for the university. Aboriginal health and the Medical School. General Practice and rural health and going to Collie in 1959. Eric Saint is the visionary person. Medical school appeal and rural medicine. Setting up a Country Medical Foundation. Country people hold Medical School in bad odour in the 1970s. &#13;
00:05:40 Translation of the vision of the School to professors. Aboriginal concerns of no concern. Working with refugees and being aware of minorities. Support of influential people in the UK. Psychologist for Bourke* in NSW. Seeing sick Indigenous children. Going into private practice. Being a doctor for Aborigines. Changing things. &#13;
00:11:00 Documenting illness. Importance of writing papers. Getting houses for people. ABSCHOL Aboriginal scholarships. Housing co-op through loss of money. Speaking to Mr Whitlam. Fred Hollows and trachoma. Dame Ida Mann, St John of Jerusalem Eye Hospital. John Cawte and Leslie Kiloh*. &#13;
00:16:00 Fred Hollows insults people. People warm to Hollows. Setting up the Aboriginal Medical Service in Perth. Admission of Aboriginal students to Medical School. Pathfinder. &#13;
00:19:00 Encouragement of Saint and rural service. Influence of Harry Rees. Working in fourth-world conditions in Australia. Australia is a very racist country. Money disappears. Kununurra an Apartheid town. Argyle mine and places in the town. 1996 opposition to core curriculum for Aboriginal study. &#13;
00:23:50 Coming back to the University - Foundation Professor Dick Joske*. Reasons for patient being in hospital. Easy to teach. Being bored with hospital medicine. &#13;
00:28:50 Karmel Enquiry 1973. Time is ripe to set up community practice. General practice and the Whitlam government. Health centre medicine. Nicola Roxon and centres. Committee of twelve and ideas for the health centres. Kevin Cullen and Busselton survey. College of GPs was a little club. &#13;
00:33:15 A compromise candidate was given the position. First guinea pig. Passing the exam. Offered the Chair. Kevin goes berserk and goes to the press. Changes to the school. Traditional English medical school. Easier to win a war than make change to the curriculum. Reasons for Saint leaving. &#13;
00:37:45 Promise to Western Australian population had been forgotten. Medical school and its purpose. People don’t have a big picture, major opponents now claim stewardship. A dissident and being valued for seeing things differently.&#13;
00:40:15 Aboriginal students and rural students would not get into Medicine at UWA. Figures disputed. Professor Sandra Eades* nurtured by Fiona Stanley. The connection between staff and student is still close. Bogged down in bureaucracy.&#13;
00:45:25 Vision of a career. Academic community and the 1970s. Controversy and closing of ranks. Whelan and Jackson and the Cullen family. Plot of the university to get their own man. Suing the Cullens and the College of GPs. Unit of the Department of Medicine. The last group of  Community Practice to be formed in Western Australia. Money is redirected. &#13;
00:50:43 Boyle refuses to see Kamien. Embezzlers of $550,000 go to gaol. Getting some money and some employees. David Treloar*. Medicine takes all the money. Faculty opposes move to Claremont. Michael McCall* Associate Prof of Medicine changes his mind. Reduction of money. Tough go. &#13;
&#13;
Interview 3&#13;
00:00:00 Naive not getting a place in the system till 1985, in curriculum review committee. Stalling of process. Back to square one. Rural general practice rated highly. Financial difficulties in WA. Something wrong with an organisation that goes to all the effort to appoint somebody and then makes it so difficult for them... the gang of four. Dean, Deputy Dean, Michael McCall and Head of Department of Medicine. Finance for General Practice. Writing to Bob Street . Faculty cuts. Max Walters. No cuts. University fripperies of English, Anthropology, Archaeology, General Practice.&#13;
00:04:41Apology of Bob Street. Things are going to change. Conditions of the architect. Thanking Vice Chancellor. Universities can be very bloody places indeed. Robert Smith. Did not want Claremont for general practice. University dealings with Claremont. Deprived suburb of Lockridge. Setting up a practice without money from the University &#13;
00:09:45 Buying house and setting up a practice. Holman a person that makes dreams come true. Nugget Coombs. Dr. Underwood. Self-funding in two weeks. Going bankrupt. Losing department in Fremantle Hospital. Payroll tax. &#13;
00:12:22 Becoming bankrupt. $130,000 and fines of $6000 Steven Schwartz* and the faculty of medicine. Robert Smith impressed with Lockridge. Money and department allocation. &#13;
00:14:20 Memories of being a minority discipline in UWA. Kamien’s appointment was controversial. Suffering from the onslaught of Royal Australian College of General Practice. Curriculum review. No plan B. Trying to get a place in the medical curriculum. Getting into the curriculum by 1982. Catchpole had a three-week stint of emergency medicine. Used for rural attachments. Professor Catchpole gives up time for another discipline. &#13;
00:17:40 Trying desperately hard. The Deans were not interested. Lockridge’s situation. Setting up a demonstration practice. No support from the Faculty of Medicine. University forward-looking principle. Richard Angeloni*. Starting with interest free money. Lockridge practice brought prestige to the University. Max Walters completely antagonistic.&#13;
00:20:10 Bureaucracy tries to postpone things. Money worries for the Festival of Perth and Colleges. Ulterior worry. Time-wasting affair. Support of Norman Palmer and Dick Joske*. Joske became a rural convert. Memories of the games played by the Deans. People don’t know the University system. Ian Passmore made it easier. &#13;
00:24:15 40% of time spent fighting battles. Strengths of teaching affected. Professor Lourens* was a time-waster. University politics. Fighting for salaries. Not approved by Carmen Lawrence - working hospital. Pay the same as a junior senior lecturer. Professor getting higher pay than Head of School. &#13;
00:29:00 Senate and the blue rinse set. Selling of the Claremont practice. Loss of money of the University. General Practice and a Clinical Department. Describing Fred Hollows. University seeing benefit if it was seen to be earning money. &#13;
00:32:30 University would not change in any sense unless they were earning money. University never turns down money. Regrets about not making a life at University of Western Australia. Complaints about University system.&#13;
00:35:10 Position of Professor is devalued. Clinical medicine and the mates of the Dean. Not getting on the committee. Staying as an Adjunct Professor. Winthrop Professors and the American scheme.&#13;
00:38:40 Awarded for community work. Work in Kununurra*. Medical services for poor and others. Aboriginal health was seen to lower the tone. Huge numbers of students can’t be coped with. Notre Dame. Personal teaching in rural areas and teaching hospital. &#13;
00:42:40 Paying for conferences out of own pocket. Getting awards. Citizen of the Year. Order of Australia. The ‘in crowd’ of UWA and CURTIN. Getting reasonable recognition. Motivations. Revolving door of Aboriginal health. Treating overseas doctors.&#13;
00:47:30 International standing of the Department of Medicine. Medical graduates from OS. Getting money from OS students dilutes and quality. Money-making business. Lack of government support. Spin business and ratings. Personal position of professor. Benefits.&#13;
00:50:29 Memories of being ship’s doctor and Antarctic expeditions. Age is not a problem. An adventure and interest in scurvy in Kalgoorlie. The Barcoo Rot from the Barcoo River. Country and University judged by the way it treats its minorities. Summing up grateful to University of Western Australia.&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Audio Files</name>
          <description>Links to audio files</description>
          <elementTextContainer>
            <elementText elementTextId="1090">
              <text>&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/b745bdddcdbc3da2c10d239cd327fc06.mp3"&gt;Kamien, Interview 1, Track 1&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/0eef54897a59785c12ad01020ac7a2dd.mp3"&gt;Kamien, Interview 1, Track 2&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/d3963d82f61e78d928742e46bffa3461.mp3"&gt;Kamien, Interview 1, Track 3&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="533">
                <text>Max Kamien interview, 2 October 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="534">
                <text>Medicine</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="535">
                <text>A graduate of the University of Western Australia, Emeritus Professor Max Kamien would become Foundation Professor of General Practice at the University in 1976. Professor Kamien has a long history of working with those less-fortunate in Australia and overseas. He was instrumental in the establishment of the Western Australian Centre for Remote and Rural Medicine, an organisation which financially supports rural medical undergraduates to complete medical degrees and return to practice in rural WA. Professor Kamien continues to work at the Ord Valley Aboriginal Medical Service in Kununurra. He has been awarded for his commitment to education within rural communities and for his efforts to improve the health of Indigenous Australians.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="536">
                <text>Kamien, Max</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="537">
                <text>University of Western Australia Historical Society</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="538">
                <text>Copyright holder University of Western Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="539">
                <text>MP3 files</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="540">
                <text>Oral History</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="45" public="1" featured="0">
    <collection collectionId="1">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>UWA ORAL HISTORIES</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>A collection of interviews with former UWA staff, recorded by the &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society" target="_blank"&gt;UWA Historical Society&lt;/a&gt; to mark the Centenary of the University in 2013. &lt;br /&gt;The UWA Historical Society’s &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society/oral-histories" target="_blank"&gt;Oral History Program&lt;/a&gt; started as a project with four oral histories funded from Society resources. It was then expanded with support from every Faculty on campus, the Guild, Convocation and through private donations. Additional funding was received through a Heritage Grant.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1160">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="528">
              <text>John Bannister</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="529">
              <text>Michael Hobbs</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="530">
              <text>Interview 1: 52 minutes, 10seconds&#13;
Interview 2: 48 minutes, 42 seconds&#13;
Interview 3: 27 minutes, 3 seconds&#13;
Total: 2 hours, 7 minutes, 55 seconds</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="15">
          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
            <elementText elementTextId="531">
              <text>128 kbs</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="16">
          <name>Time Summary</name>
          <description>A summary of an interview given for different time stamps throughout the interview</description>
          <elementTextContainer>
            <elementText elementTextId="532">
              <text>Interview 1&#13;
&#13;
00:00:00 Introduction background information. Athel Hobbs. Architect and Soldier. Desires to do architecture. Abortive year at architecture and starting medicine at UWA. Initial impression of UWA as a student. Residential college in Adelaide. &#13;
00:06:10 Making the quota. Undue stress and the general first year since degree. Memories of the Vice Chancellor Currie. Being on campus and the educative view of the world. Rowing at the University Boat Club. Community. University Liberal club. Memories of the ULC float. Frightened to do engineering because of rough initiations. &#13;
00:11:50 Students stay all day at UWA. Second year experiences at Adelaide. Integrating and self-sufficiency. Field of medicine specialisation. Undistinguished academic experiences. professorial team at Royal Perth Hospital. Specialising in internal medicine. &#13;
00:15:39 Memories and knowledge of Eric Saint and Dick Lefroy. Establishment of medical school. Book – On good Doctoring Eric Saint. Mentor. The contrast between public health system. Professors control the system. Laurie Robson*. Restraints. Suspicions of Eric Saint. Bob Godfrey puts together a team at the Children’s hospital. Attempt to increase standards. &#13;
00:21:26 Saint and Lefroy adopt a good philosophy. Inspired to work with Saint and Lefroy. Artificial kidney introduced by Lefroy. Pass exams for College of Physicians. In charge of medical unit. Deputy medical superintendent. &#13;
00:22:50 University of Western Australia in the world. 1964 experiences of going to Oxford. Donald Aitchison*. Nuffield Department of Medicine. Mike McCall.* Survey of Multiple Sclerosis. Seeing the medical school and the working of medicine. Doing a DPHil. &#13;
00:27:00 Coming back to Perth in 1967. Sir Charles Gairdner Hospital chest hospital and general hospital. Bob Elphick medical team deputy. Epidemiology and social medicine. Nothing like this is Perth. Coming back to do epidemiology research interests. Reader at Monash. Staying in Perth. Vacancy at University of Western Australia Associate Professor. 1970. Fledgling movement for development of social medicine. &#13;
00:30:54 Memories of Aitchison.* creating a picture of UWA in the 1960s. Changes to the university seen and discussed. Preclinical sites. Sinclair and Simmons. The culture of Royal Perth Hospital. King Edward Memorial and Princess Margaret Hospital.&#13;
00:33:40 Deals done for University land and University-based medical centre. University and non-University people. Research orientation. Relying on permanent medical staff. Contentious issue of payment of surgeons. Associate Professor of Epidemiology. Approach in clinical teaching. Students and patients and the calibre of student. &#13;
00:37:30 Currie, Prescott and Whelan. support from the university administration. Allan Robson’s outstanding support. The importance of funding for the university and personal career. Triennial funding and grants. Whitlam collapse changes the situation. Canberra and primary care and general practice. Max Kamien. Staying on in the University Department of Medicine. Commonwealth state funding for the unit of clinical epidemiology in the 1970s.&#13;
00:40:20 Importance of funding for research in clinical epidemiology. Developing teaching programs at Royal Perth and Sir Charles Gairdner Hospital. Major problems in development in public health. NH and MRC research funding. Bruce Armstrong and Fiona Stanley. Laurie Beilin sympathetic to a separate school. In the late 1980s the Commonwealth give funding for development of epidemiology and research for Masters in Public Health degrees.&#13;
00:42:00 Setting up public health at University of Western Australia and separate department in public health. Memories of Laurie Beilin. Royal Perth Hospital funded posts. Most successful academic at University of Western Australia. NH &amp; MRC projects set up. Social concerns of Laurie Beilin* and Max Kamien. Dick Lefroy founds geriatric services. &#13;
00:46:40 Memories of Fiona Stanley overseas training fellowship in NH &amp; MRC. Comes back to work at Charles Gairdner. Takes on the peri natal study. Forms and institute instrumental in medical record linkage in Western Australia. The outcomes of the linkage. Longitudinal studies of health, state-wide hospital reporting system. Bill Davidson. Darcy Holman*. Support of Lotteries Commission. Cancer register – mental health services register - deaths and other linked study. Health services research. Infant mortality. Money becomes available at the right time. &#13;
&#13;
&#13;
Interview 2&#13;
&#13;
00:00:00 Eric Saint – central to the development of the medical school. Turned into the Sir Charles Gairdner site and the University hospital. Fremantle Hospital. Gordon Stevenson plan. Commissioner of public health and state functions of the university. Joint work with university people and state laboratory people. Problems ensue. Richard Court and Michael McCall*. Revitalisation of the service. &#13;
00:05:00 Charles Gairdner grows as a hospital and the main focus of the University dep. Rivalries with Royal Perth. Hospitals polarize splitting of the health department, hospitals have own appointments and chairs. Hospital politics. Experience of Wittenoom recalled. Eric Saint recognises industrial disaster in the 1950s. Jim McNalty* health minister. Long term follow up study. Brice Armstrong and Bill Musk. Eric’s deep social concern.&#13;
00:11:51 University of Western Australia and the Whitlam government, concern for social and community health. Director of Epidemiology. Health services epidemiology vs. clinical. Support for Dick Lefroy and Fiona Stanley. Seeing the community of University change. Chair in Neurology. &#13;
00:16:50 University and honorary academic titles. Research and the perinatal deaths and work done at Oxford elaborated on. University of Western Australia and international collaboration and World Health Organisation Project. MONICA Project. Registers of heart attack. Clear national differences and risk factors and randomised controls. MONIC steering committee. Wittenoom.&#13;
00:25:40 Seeing the growth of University of Western Australia and development of population health. Findings of health outcomes in prisoners. Aboriginal prisoners and health. Aboriginal/non-Aboriginal health comparison study. Professor Sandy Thomson* - interest in Indigenous health Judy Kastenberg*. Following people through their history of heart attack and associated illness. Social index. &#13;
00:32:44 Global analysis of technological change in health. Project out of Stanford. &#13;
00:36:29 Inaugural Head of Department of Public Health. Population issues and clinical medicine. Money and support. Commonwealth support. Laurie Beilin. Increase in brain mass and intellectual stimulation and postgraduate students. Chair in Public Health. University of Western Australia school in an up phase. Department and school in its own right. Amalgamation with social work. &#13;
00:42:30 Administration and leverage. David Fletcher* and Fremantle Hospital collaboration. Perinatal studies, geriatric services, gall bladder, heart disease and record linkage. &#13;
00:47:43 University of Western Australia global standing. &#13;
&#13;
&#13;
Interview 3 &#13;
&#13;
00:00:00 Involvement with scientific and professional associations. Royal Australia College of Physicians, Faculty of Public Health Medicine, Public Health Association of Australia, Australasian Epidemiological Association. Australian Medical Association. Involvement with the Silver Chain Nursing Association. Work for the Department of Health. Home and community care program. The HAC program. &#13;
00:04:26 Implicit understanding to be involved in community organisations. Order of Australia Medal. Starting professional associations. The Australian Epidemiological Association. Population medicine. Growth of Medical School. Advocacy. Curriculum review. &#13;
00:07:50 Quoting Eric Saint on the more affluent years of the 1960s. The ‘halcyon period’. Sidney Sax brings a social perspective to organisation of the health services. NH&amp;MRC grants RAD* grants. Support of students and placement of individuals abroad and at home.&#13;
00:11:00 Fiona Stanley and Bruce Armstrong go onto bigger things. Teaching and advice. Change of the sense of community. Changes in technology and affects at the university. Difficult to enthuse undergraduate medical students. The changing face of the university student. &#13;
00:17:05 Areas of success in student medical research. International students. Problems with the education of Malaysian students. UWA and the international arena. &#13;
00:22:45 Recognition of low numbers of medical students. Pressures of increased student numbers. Competition between universities and the academic standing of University of Western Australia. Proposed merger with Murdoch. Good times and bad times. Views of University of Western Australia today. &#13;
00:27:02 End of session&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Audio Files</name>
          <description>Links to audio files</description>
          <elementTextContainer>
            <elementText elementTextId="1091">
              <text>&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/aea4bcf1dec42c277132a05ccb3e6c00.mp3"&gt;Hobbs, Interview 1, Track 1&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/3526d9700360ce118149e427e97eb340.mp3"&gt;Hobbs, Interview 2, Track 1&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/a11e569568d03fdacb3f21ed4e4e382c.mp3"&gt;Hobbs, Interview 3, Track 1&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="520">
                <text>Michael Hobbs interview, 24 January 2013</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="521">
                <text>Medicine</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="522">
                <text>This is an interview with Emeritus Professor Michael Hobbs. Professor Hobbs studied medicine at the University of Western Australia, University of Adelaide and Oxford University. He became Associate Professor of Epidemiology in 1970 and of Social Preventative Medicine in 1974. In 1991 he became the inaugural Head of the Department of Public Health. He has worked in association with people such as Fiona Stanley and Bruce Armstrong. Professor Hobbs has been involved with numerous studies into public health, including Perinatal studies, and was part of the steering committee for the World Health Organisation study into Cardiovascular disease. He was awarded an Order of Australia medal in 1994.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="523">
                <text>Hobbs, Michael</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="524">
                <text>University of Western Australia Historical Society</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="525">
                <text>Copyright holder University of Western Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="526">
                <text>MP3 files</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="527">
                <text>Oral History</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="88" public="1" featured="0">
    <collection collectionId="1">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>UWA ORAL HISTORIES</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>A collection of interviews with former UWA staff, recorded by the &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society" target="_blank"&gt;UWA Historical Society&lt;/a&gt; to mark the Centenary of the University in 2013. &lt;br /&gt;The UWA Historical Society’s &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society/oral-histories" target="_blank"&gt;Oral History Program&lt;/a&gt; started as a project with four oral histories funded from Society resources. It was then expanded with support from every Faculty on campus, the Guild, Convocation and through private donations. Additional funding was received through a Heritage Grant.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1160">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="646">
              <text>Gillian Gallagher</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="647">
              <text>Miriam Stannage</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="648">
              <text>54 minutes, 47 seconds</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="15">
          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
            <elementText elementTextId="649">
              <text>128 kbs</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="16">
          <name>Time Summary</name>
          <description>A summary of an interview given for different time stamps throughout the interview</description>
          <elementTextContainer>
            <elementText elementTextId="650">
              <text>0.00	Introduction&#13;
0.35	Statement of name, date and place of birth. Early childhood in Northam where father was an Anglican priest and mother came from farming family in the area. Moved to Perth at the age of six; boarding at Perth College. Impressions of life as a weekly boarder, life as a student. Memories of enjoying drawing geometry diagrams. &#13;
3.29	Art classes at Perth College, memories of one art teacher in particular – Robert Juniper. Place of art at home and childhood memories of father’s interest in art; mother’s creativity.&#13;
5.44	Left school at 15, did secretarial course while waiting to do nursing. Did two out of three years of nursing, decided not to pursue it as a career. Spent a year in Canberra as matron in boarding school. Returned to Perth and further office jobs.&#13;
8.17	1961: first overseas trip. Visited galleries with friends. Traveled to Canada, worked in a variety of jobs. Went to New York from Canada, visited several exhibitions. Photographed Guernica – strong memory of difficulty of photographing large scale work. Traveled from east coast of Canada to west coast by train.&#13;
10.35	Returned to Perth, 1962. More office work. Friends encouraged participation in adult education art classes at University of Western Australia. First teacher was William Boissevain. One of earliest paintings was of reflections in pool beside Undercroft. Continued adult education classes with Henry Froudist in Howard St, Perth, later on in a building on the corner of Milligan St and Hay St. Spent many years learning to paint with Henry Froudist, a Polish artist. Froudist inspired Miriam with idea of art as a commitment. Very encouraging of her work. Portrait classes held on Saturday mornings: sitters consisted of well known Perth entities including John Farnsworth Hall, Professor Ida Mann, Elizabeth Durack. Beginnings of idea that art could become a lifetime pursuit, encouraged by both Froudist and parents.&#13;
15.36	1967, established own gallery, the Rhode Gallery in Shenton Park. Showed young WA artists: Geoffrey Wake, Edith McNamara. Guy Grey Smith very supportive. Miriam not good at sales – too busy painting at back of gallery. Contemporary Society of Arts started in mid 60s. Guy Grey Smith president – organized interstate exhibitions. Members included John Tonkinson, Bill Hawthorn, Philippa O’Brian. Miriam was secretary of CSA.&#13;
17.47	Taking over Guy Grey Smith’s art therapy classes at Sir Charles Gairdner Hospital and Heathcote. Guy Grey Smith and Miriam put up posters around the hospitals – this was before hospitals had acquisitions programs. Miriam was teaching and running her gallery at same time. Rhode Gallery named after father’s village in Northern Ireland. Gallery closed in 1967, taken over by Hesling Archer. Miriam continued to put her art into competitions.&#13;
20.38	1970: won Albany Art Prize, judged by Professor Bernard Smith, leading to seven month stay in Paris and use of studio there. Produced body of work in Paris, largely experimental, influenced by Victor Vasarely, Bridget Riley, American abstract painters. Enjoyed exhibitions in Paris, particularly one of frescoes from Florence. Lived and worked very near Notre Dame, attended free concerts there. Church music and choral music part of her background – mother used to be pianist and organist. Saw Chagall at a Matisse exhibition. Did several drawings in the underground – fascinated by perspective of people against large wall posters. Regrets not bringing more work back to Perth. May have destroyed too many of her own works. Travelled to London, visited places where Constable had painted.&#13;
27.10	Returned to Perth, more part time work; offered night time teaching classes at various technical colleges. Earlier solo show, 1969, at Old Fire Station. Rie Heymans very supportive of WA artists – very important figure in art world. Exhibiting at UWA in group exhibitions; first solo show at UWA in 1976 in Nolan Room.&#13;
29.08	Beginnings of interstate exhibitions in Melbourne and Sydney, starting with Tolarno Galleries in Melbourne. Works included crisscross writing series as well as large paintings of Kodak slides.&#13;
Origins of crisscross writing series and treatment of different subjects. Post Paris paintings – used the grays, sunlight and shadows of Paris.&#13;
31.35	Paris a turning point – felt she could develop own voice from that point. Influenced by ideas of conceptual movement, but not particular styles. Support from key people in art world – Patrick McCaughey, Charles and Barbara Blackman.&#13;
33.22	1980, married Tom Gibbons. Met Tom through Rie Heymans. Very different backgrounds. Both interested in the everyday. Tom interested in pop art, Miriam more interested in landscape. Complimentary way of working together. Interest in photography rekindled following visit to exhibition in Venice in 1979 with Tom. Had previously developed black and white prints in her teens. ‘Swung over’ to photography for several years. Printed her own work – created dark room in bathroom.&#13;
37.10	Late 80s: bush survival course. Wanted to relate to Australian landscape. Memories of survival course. Loved getting into the landscape. Survival course triggered ideas for photographic works as well as paintings. Fascinated by disasters of Australian outback – bushfires, floods, cyclones. Earlier photographs to do with history, newspapers; flood motif strong in painting. Many works relate to religion, biblical stories. Stations of the Cross shown at Art Gallery of Western Australia (AGWA). Viewers see different things, regardless of religion. Religious background part of identity. Wide use of Christian symbols. Reviews of her work - neither agrees nor disagrees with them. Work not visually the same, even though themes are the same.&#13;
43.54	1990: bought campervan, loved going off on her own. Work from this period about looking at ground, not broader views. Looks at evidence of human existence on the ground. Telescope in campervan. Belonged to astronomy group. Mesmerised by beauty of stars, subtlety of colours. &#13;
47.11	2000: Artist in Residence, Kellerberrin, through International Art Space (formerly IASKA). Kellerberrin near grandfather’s property at Tammin. Connection between people who started IASKA at Kellerberrin and grandfather’s farm. Felt at home in the town. Grandfather had given land for Tammin cemetery. Stations of the Cross series put up in church at Easter.&#13;
49.20	Key exhibitions: 1989 AGWA survey show (Perception 1969-1989), John Stringer’s comment; 2006, John Curtin Gallery, Curtin University; major show of photographs - Words in the Landscape, Lawrence Wilson Gallery, 1993. Impressed with professionalism of all the people involved in mounting her exhibitions. Forthcoming exhibition at Lawrence Wilson Gallery – in 2016 – to deal with work of previous 10 years.&#13;
52.00	Currently working with photography, security series – to do with vision. Began with home burglary. Origins of focus on sight/seeing things – Froudist’s influence. Greatest artistic influences – mixed lot – Turner, Giotto; Mondrian, Magritte.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Audio Files</name>
          <description>Links to audio files</description>
          <elementTextContainer>
            <elementText elementTextId="1142">
              <text>&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/66b919e26ef8d46d4b7689760afd730a.mp3"&gt;Stannage, Interview 1, Track 1&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="638">
                <text>Miriam Stannage interview, 18 December 2014</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="639">
                <text>Art</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="640">
                <text>Miriam Helen Stannage was born in 1939 in Northam, where her father was the Anglican priest. Her mother came from a farming family in the area. At the age of five, the family moved to Perth, where Miriam attended Perth College as a weekly boarder. She recalls one particular art teacher at Perth College – Robert Juniper – and as a child, remembers her father’s strong interest in art. In later years, her parents were very encouraging of her art practice.&#13;
After leaving school, Miriam did secretarial and nursing training and traveled overseas. On her return to Perth she began evening art classes with William Boissevain, then Henry Froudist, while supporting herself with secretarial work. &#13;
In 1965 she opened her own gallery, the Rhode Gallery, and formed the Contemporary Art Society with Guy Grey Smith. After winning the Albany Art Prize in 1970, Miriam took up the offer of the use of a studio space in Paris, where she lived and worked for several months. That experience was a key turning point in her art practice, and could be seen as the springboard for the development of her future work. She has exhibited extensively since opening the Rhode Gallery, in both solo and group exhibitions in Western Australia and nationally.&#13;
In 1990 Miriam bought a campervan and telescope. For several years she traveled throughout the state on her own, painting and using photography to create works, while developing her interest in the night sky.&#13;
The Art Gallery of Western Australia held a retrospective of her works in 1989 entitled Perception 1969-1989. In 2006 the John Curtin Gallery at Curtin University presented an exhibition of her work from 1989 to 2006 called Sensations. A retrospective of her work from the last 10 years is to be held at the Lawrence Wilson Gallery in 2016.&#13;
Miriam cites Turner, Giotto, Magritte and Mondrian as key artistic influences.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="641">
                <text>Stannage, Miriam</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="642">
                <text>University of Western Australia Historical Society</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="643">
                <text>Copyright holder University of Western Asutralia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="644">
                <text>MP3 files</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="645">
                <text>Oral History</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="50" public="1" featured="0">
    <collection collectionId="1">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>UWA ORAL HISTORIES</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>A collection of interviews with former UWA staff, recorded by the &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society" target="_blank"&gt;UWA Historical Society&lt;/a&gt; to mark the Centenary of the University in 2013. &lt;br /&gt;The UWA Historical Society’s &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society/oral-histories" target="_blank"&gt;Oral History Program&lt;/a&gt; started as a project with four oral histories funded from Society resources. It was then expanded with support from every Faculty on campus, the Guild, Convocation and through private donations. Additional funding was received through a Heritage Grant.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1160">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="583">
              <text>John Bannister</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="584">
              <text>Paul Lloyd</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="585">
              <text>Interview 1: 51 minutes, 24 seconds&#13;
Interview 2: 50 minutes, 30 seconds&#13;
Interview 3: 33 minutes, 42 seconds &#13;
Total: 2 hours, 15 minutes, 36 seconds</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="15">
          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
            <elementText elementTextId="586">
              <text>128 kbs</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="16">
          <name>Time Summary</name>
          <description>A summary of an interview given for different time stamps throughout the interview</description>
          <elementTextContainer>
            <elementText elementTextId="587">
              <text>Interview 1&#13;
&#13;
00:00:00 Paul James Lloyd born in Shropshire. Coming to Australia 1971 and schooling. Hopes to study architecture and accounting. Degree choices, career paths. Commerce degree. Impressions of University of Western Australia. Save the Children Book Sale. Bursar at Thomas More. Stepping it another world. Impressions of University of Western Australia and Murdoch University. &#13;
00:05:50 Thoughts of Murdoch University. Thoughts of degree choice. Memories of coming to University of Western Australia. Enrolment process of the 1980s. Orientation process and classes. Finding your way through UWA. &#13;
00:09:35 Initial transition and shock. Preparation, students and academic work, doing work and the experience. Academic qualifications and motivating self. Community of University of Western Australia. Students and lectures. Connection to tutors and staff – lecturers as people. Staff and clients today. Delusion of students as a client. Marking and performance measures. &#13;
00:15:55 More concerned with the individual. Thoughts of a developing career. Part-time Masters study. And part-time tutoring. Ongoing job at University of Western Australia. Direction of career. Different process for employment of academics. Tutoring and lecturing. University is a place for a career. Comparing work in the corporate world. &#13;
00:22:45 Thoughts of student and employee at University of Western Australia. Memories of the university in the 1990s. Hierarchical system. The benign hierarchy and the god professor system. Knowing your place at the university. &#13;
00:29:20 Not meant to speak. Understanding by example. The social benefits of the university. A 9-5 place. Being a student was a full time job. Expectation to be around the place. Comparison to the student of today. Part-time work. Interaction with the tutor and students. &#13;
00:34:20 Treasurer of University House. Memories of University House. The University House committee. The bar and menu. Comments Complaints book. Social interactions. Interfaculty relations encouraged. Bar manager goes to gaol. &#13;
00:40:55 Inter-faculty relations. The warring factions. A unified whole portrayed to the community. Faculty interactions and faculty meetings. Self-serving faculties. &#13;
00:47:06 The reputation of the University. Pride in traditionalism. Curtin, Murdoch and the real university. Needs of the struggling student and the survival of the fittest. Competing with other universities. Not as easy for the successful self-motivated students to distinguish themselves.&#13;
&#13;
&#13;
&#13;
Interview 2&#13;
&#13;
00:00:00 Moving into the role of lecturer and views of the student of the 1990s. Attracting less-motivated students. Lower achievers in the range. Changes in assessing and teaching. Building students up from the basics. Lower entry scores, student quality drop. The question of money. Fees and home circumstances affecting the students. Incurring a debt. Getting the degree as fast as possible. Students self-funding. Different units and different HECS debts. &#13;
00:06:20 Changes to the business school. The trans-Atlantic name. Small management subject. Much smaller structure. Dean elected by the faculty. Drifting into a managerial approach. Grouping faculties. Grouped with law and education. Changes to the election system and the structures merge. Paul McLeod*. Moving toward a larger model. &#13;
00:10:50 Buildings and infrastructure. Design by P&amp;O. Explanation of the buildings. The change to the management authority, immediacy of interaction between staff and students. Security. Working from home. The loss of the community. University meetings conducted at the morning tea. &#13;
00:15:30 The management of the University. Boards and committees. Changes and the Learning and Teaching Committee. Faculty board. Board of Studies and Academic Council. Changes and decisions made well in advance. Talking with some meaningful outcome. Leadership and Vice Chancellor Smith. Fay Gale. Faculty did not have an easy relationship with Fay Gale. Restructure and merger. Opposing the Vice Chancellery. Success of the Faculty in opposing change. Dept VC Roy Lourens. Bob Wood’s impression of Samson. Dissolving structure. &#13;
00:20:55 Bob Wood has a difficult relationship with accounting and finance. Setting of course materials, salary loading and market demand. A great deal of tension in University centrally. Allan Robson dvc and VC. Schreuder*. Allan Robson instigates new structure. People broadly happy. Decisions without Faculty interaction. Layers of bureaucracy – academics have less input. Larger bureaucracy and government reporting. &#13;
00:24:43 Allan Robson and the modern movement of the University. Predecessor did not change things the same way. Paul Johnson and his direction. University’s financial approach. Serving on Academic Board. Elected member. The system of the voting and decision-making on the academic board. Academic Council more operational. Elected to board and within the board. Interest in policy making and nominating. &#13;
00:30:37 Experiences of initiatives at the Business School. Name change. Ken Robertson. Perceptions of the school. Paul McLeod and the new building. Old perceptions of the front door and the sheep pens. Renovations and locations for the new school. Tracey Haughton*. Concerns about the design. Restructuring of Faculty. The Graduate School of Management &amp; School of Economics and Commerce. &#13;
00:37:40 First time for the restructure happening from within. New course structure. Postgraduate offerings and future initiatives. Rewriting the MBA rules. Slow evolutionary system. Overall University structure. Structures of the BCom. &#13;
00:43:27 Personal ability to do academic work. Tutor and lecturer and administration. Course structures and assessing learning directives. Lecturers and extra duties. Growth in administrative responsibility. Interactions and specific individual skills. Formal performance measures. Accountability. &#13;
&#13;
&#13;
&#13;
Interview 3 &#13;
&#13;
00:00:00 Ideas of internationalisation of University of Western Australia. The change of emphasis. Contacts with polytechnics in Singapore. Working harder to maintain 20% of international students. Full time international negotiators employed. Reason for changes. Expense associated with studying in Australia. Projections of the University ranking. In the Group of 8. &#13;
00:04:32 Paul Johnson* and the international standing. The success of the response to change. Technology and online courses. Stanford University and interaction. Lectures online. Gradual evolution, Second Life and online word. Virtual university. The University experience about more than just a degree. Removing structural barriers. Bureaucracy and the academics’ time. Annual development report writing. &#13;
00:12:00 Encouragement of leadership and of staff. University of Western Australia on a global scale. Number 96. Ratings and impact. Nobel Prize winner. Building beyond a community outside Australia. Specialization using target areas. MBA in mining. Change in the collective character of the staff. Long-term and staff moving on. Staff career path. &#13;
00:18:15 Personal future and direction. Enjoying the job. Concerns and question of the new student. Idea and exchange. Few examples of discipline and misconduct. The character of the school system. Students less self-effacing. Students have a greater sense of self. &#13;
00:23:12 Recollections of misconduct. PROSH pranks and the shiny new Volvo. Hole dug in the terrace and the lobster. The nature of the sense of camaraderie. Fewer characters at the university. Barriers and sense of fun. Demands on time. Sense of community and sense of home. Entering the system and leaving the institution.&#13;
00:30:21 Looking back on the experience to date. The university on the edge of the world. University of Western Australia technology and international image perception. Phrase that springs to mind. UNIVERSITY. The University that does not need qualification.&#13;
00:33:46</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Audio Files</name>
          <description>Links to audio files</description>
          <elementTextContainer>
            <elementText elementTextId="1087">
              <text>&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/b205e26733c65d5898fdc22fa297c300.mp3"&gt;Lloyd, Interview 1, Track 1&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/2e7d766664a8921bad97b58fde3e4071.mp3"&gt;Lloyd, Interview 1, Track 2&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/0843cbdde2ce7113868d3c69d4b9af9e.mp3"&gt;Lloyd, Interview 1, Track 3&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="575">
                <text>Paul Lloyd interview, 19 November 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="576">
                <text>Business</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="577">
                <text>During the interview Paul Lloyd discusses at length his experiences of the University of Western Australia, firstly as a student from 1985, then as tutor, lecturer and Sub-Dean of the Business School. Inspired to make a career as an academic at the university early in his studies, Mr Lloyd speaks at length of the changes he sees in place when comparing his career path progression to that available to students today. He currently works closely with students and has been involved in admissions committees as well as the establishment of new courses at the University of Western Australia.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="578">
                <text>Lloyd, Paul</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="579">
                <text>University of Western Australia Historical Society</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="580">
                <text>Copyright holder University of Western Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="581">
                <text>MP3 files</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="582">
                <text>Oral History</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="51" public="1" featured="0">
    <collection collectionId="1">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>UWA ORAL HISTORIES</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>A collection of interviews with former UWA staff, recorded by the &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society" target="_blank"&gt;UWA Historical Society&lt;/a&gt; to mark the Centenary of the University in 2013. &lt;br /&gt;The UWA Historical Society’s &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society/oral-histories" target="_blank"&gt;Oral History Program&lt;/a&gt; started as a project with four oral histories funded from Society resources. It was then expanded with support from every Faculty on campus, the Guild, Convocation and through private donations. Additional funding was received through a Heritage Grant.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1160">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="1064">
              <text>John Bannister</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="1065">
              <text>Paul McLeod</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="1066">
              <text>Interview 1: 51 minutes, 44 seconds&#13;
Interview 2: 47 minutes, 7 seconds&#13;
Interview 3: 52 minutes, 26 seconds&#13;
Total: 2 hours, 31 minutes, 17 seconds</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="15">
          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
            <elementText elementTextId="1067">
              <text>128 kbs</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="16">
          <name>Time Summary</name>
          <description>A summary of an interview given for different time stamps throughout the interview</description>
          <elementTextContainer>
            <elementText elementTextId="1068">
              <text>Track 1&#13;
00:00:00 Introduction. Background, South Australia. Scholarship and Adelaide University. PhD at UWA. Davies, economic history and university housing. Economics. University days in Adelaide. Staff student interaction. &#13;
00:05:00 Changes. Interactions. Impressions of UWA. Comparisons to Melbourne and Sydney – Reg encourages people to come to UWA. Memories of Reg Appleyard leader of the group. Anglophile system. Petridis*. Travel from Perth. &#13;
00:10:00 Appleyard’s sales pitch. Ease of living in Perth, isolation. Micro economics. David Treloar. Environmental economics. Impressions of the university, comparisons to Adelaide. Architecture. &#13;
00:17:05 Budgetary restraints and entitlements. Working environment. Academic community at UWA. Tradition of morning tea. People interact with one another.&#13;
00:20:00 Student/staff relations. MBA students. Age of staff and students. Logically entitled to be here. Concerns of getting on the map. Part of the community. Perth isolated. Festival and world class or back water.&#13;
00:24:00 Creativity. Establishing a high quality MBA program. Interfaculty relations. Isolated faculties. Sporting competitions and social aspect. Trying to reduces layers of administration. Law, Education, Economics – Faculty of Economics, Commerce and Law. Super-Faculty doesn’t exist in the same way today. &#13;
00:30:30 Sharing facilities and buildings becomes too difficult. Direction of the Faculty. Regulations. Increasing the options and units available. Disciplines, core and peripheral subjects. Agricultural and environment.&#13;
00:35:40 Ken Clements, the research centre and economic research. Structures at the university. Connections with business. WA Government and Brianne Burke and gold tax. &#13;
00:38:50 Ken Clements from Chicago, desire for research. Mainstream economics. Micro and macro. Ken a leader in the group. PhD conference. Roger Bowden*. International reputation. Qualitative skills. Building the links. Unemployed academic. &#13;
00:45:30 David Treloar agricultural economics. UWA person. Sense of what is important. Head of Department. Passionate for students. Stickler for rules. Life was sport. Reg was interested in the big picture. &#13;
00:49:00 Douglas Vickers. Strict and straight-laced. Devout Christian. Everything is about work. Everybody has their place. US course focus. Intellectual pursuits. &#13;
&#13;
Track 2 &#13;
00:00:00 Paintings. Frazer Waters* and the War over Israel. Modigliani print. Intimate university. Social interactions. Each faculty has broadened its view on things. WA’s cross-disciplinary decision. &#13;
00:04:20 Diversity of courses. cooperation and interfaculty entrepreneurial. Evolution of courses. Variety of students. Cross-faculty work. Academic connection. Change. Students branch out. &#13;
00:07:05 CBRA* and the Americas cup. Interface into the wide world. University connections and applied research. State government commissions research for planning the America’s Cup. Sponsors from well-regarded corporates. Sponsors and the impact on the city. &#13;
00:11:20 Interviewing the Gucci and the syndicate. Solutions. Early career people and corporate analysis. Government and market research. Perth is showcased. Incredible technology. &#13;
00:15:50 Cottesloe beach. Attractiveness of UWA to the business community. Participation of teaching with classes. Better understanding of university. Businesses attached to the university. CBRA and applied research. Repository of all information. Love - hate relationships and isolated university. Resources are needed from business. &#13;
00:21:56 CBRA. Current Business School. Board meeting and academics. Car parking and coffee. Connections. Mining companies and the university. Work connections. Small issues with CBRA. &#13;
00:25:28 Community and international eyes on UWA. Things change over time. Relationship with Asia. Business School attracting students from Hong Kong and Asia. UWA reputation. &#13;
00:28:55 Attraction of UWA for international students. People important in the spear head of UWAs internationalisation. Darrell Turkington* belief in attracting students from Asia. Bruce Macintosh* and international centre. &#13;
00:032:28 MBA fair in America – putting self out there. Punching above your weight. Sandstone university. Function for graduates in Asia are well attended. UWA reputation and good degree was highly regarded. Paul Johnston and Alan Robson. &#13;
00:38:10 Alan Robson. Graduation student from Asia and Robson doesn’t stand on ceremony. Alan relates to the institutions. &#13;
00:41:53 Nurturing of the Business School at the university. Revenue is moved away to other things. University management of funding. The problems of the super faculty. One of the oldest MBA program. Underutilised base at the university. &#13;
00:46:04 Nurturing takes place and recognition. World class Business School and the value of the faculty to the university. &#13;
&#13;
Track 3&#13;
00:00:00 Development of the Business School. Revamping the Faculty of Commerce and the Business School. WA Business School. Approaches to the outside world. David Johnstone knew the university inside and out&#13;
00:03:35 Other faculties and the new building. Solutions for money and new building. Tennis court site and Business School site. Purpose-built building. &#13;
00:07:52 Logical to give the Business School a new location. Benefits of the southern end of the school. Parking. River views and access. Crunching numbers and student projection and overseas funding. Traditional or modern vision of the building. &#13;
00:11:20 Tradition of the school. Modern statements. Architects asked to make projections. A turning point for the Business School. Facilities for students. Fulfilling objective and coping with numbers. Different style of building. Zone problems and modern planning. Clients and staff. &#13;
00:16:48 Clients students and community relationships. Relating to students in a different way. Talking to the staff. Students and the change in dynamic. &#13;
00:19:48 Change in dynamic and the change in technology. Contact with students. Turning point and the virtual university. Need to be on campus. Lecture on line. Do staff need to have an office at UWA. Globalisation. &#13;
00:24:11 Nature of large institutions. University of Strathclyde. Online students and international students. interacting and turning up to university. Changes to peoples offices. Everything on the computer. No books in the office. Need for a library. &#13;
00:27:58 Earliest research projects. Advertising and tobacco. Applied policy oriented research. Research into rents and river views. Natural research problems. Harvesting fish stocks. Reigning in the commercial catch. Licensed and recreation fishers. Policy fishing. Working out models. Research graphs recreational and commercial – sustainable harvest. Abalone and snapper fish populations. &#13;
00:35:45 Rock lobster fishing and stocks. Understanding catching fish and chasing fish. Rational behaviour. &#13;
00:39:11 Looking at career and retirement. Changes in retirement from university and social sciences. Internationalisation and university position and rankings. Isolated city running with people on the world stage. Mining and eyes on WA. Shipping and the university. &#13;
00:44:50 Historically a part of Asia. Ahead of its time. challenge to be positioned well. China Singapore and Hong Kong. Pushed along by the changes. Strategically heading off.&#13;
00:47:44 Reasons that changes occur. White papers tell that Asia is appointment. The University’s strategic plan. Dependence. Student and staff members view for UWAs future. Good track record. Wealthiest economy in the world. Mining boom and WA University. Economy and struggle and UWA in a good position. Campus has a lot of advantages.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Audio Files</name>
          <description>Links to audio files</description>
          <elementTextContainer>
            <elementText elementTextId="1086">
              <text>&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/d100a15e045dd95191dbcb42fc5a9e28.mp3"&gt;McLeod, Interview 1, Track 1&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/85e2a28a409d6a7bbe89498c1bbe5593.mp3"&gt;McLeod, Interview 1, Track 2&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/8b06e23307093441cb10b2738af9b538.mp3"&gt;McLeod, Interview 1, Track 3&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="588">
                <text>Paul McLeod interview, 25 October 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1057">
                <text>Business, Economics</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1058">
                <text>This is an interview with Associate Professor of Economics at the University of Western Australia Paul McLeod. His teaching encompasses a variety of microeconomics courses including business economics in the MBA and M.Com courses, third year advanced microeconomic theory, Honours public policy economics, and resource and environmental economics in the M.Ec. He also contributes to the teaching of Mining Management for engineering students. Professor McLeod’s academic positions have included Dean of the Faculty of Economics and Commerce; Head of the Department of Economics; Executive Dean, Faculties of Education, Economics and Commerce, and Law; and he was the inaugural Dean of the University of Western Australia Business School.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1059">
                <text>McLeod, Paul</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1060">
                <text>University of Western Australia Historical Society</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1061">
                <text>Copyright holder University of Western Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1062">
                <text>MP3 files</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1063">
                <text>Oral History</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="82" public="1" featured="0">
    <collection collectionId="1">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>UWA ORAL HISTORIES</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>A collection of interviews with former UWA staff, recorded by the &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society" target="_blank"&gt;UWA Historical Society&lt;/a&gt; to mark the Centenary of the University in 2013. &lt;br /&gt;The UWA Historical Society’s &lt;a href="http://www.alumni.uwa.edu.au/community/historical-society/oral-histories" target="_blank"&gt;Oral History Program&lt;/a&gt; started as a project with four oral histories funded from Society resources. It was then expanded with support from every Faculty on campus, the Guild, Convocation and through private donations. Additional funding was received through a Heritage Grant.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1160">
                  <text>University of Western Australia Historical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="709">
              <text>Julia Wallis</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="710">
              <text>Peter Bruechle</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="711">
              <text>Wembley Downs, W.A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="712">
              <text>Interview 1: 1 Hour 4 minutes, 6 seconds&#13;
Interview 2:1 hour, 5 minutes, 44 seconds&#13;
Total: 2 hours, 9 minutes, 50 seconds</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="15">
          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
            <elementText elementTextId="713">
              <text>128 kbs</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="16">
          <name>Time Summary</name>
          <description>A summary of an interview given for different time stamps throughout the interview</description>
          <elementTextContainer>
            <elementText elementTextId="714">
              <text>Interview 1&#13;
&#13;
Track 1	&#13;
00:00	Introduction by Julia Wallis&#13;
00:29	&#13;
&#13;
Track 2	&#13;
00:00	Peter’s father was from Switzerland. Peter’s grandfather was a mining engineer. Peter’s father was an electrician and was killed by a falling power pole in about 1954 when Peter was 22 years old. Peter was brought up by his grandmother in Welshpool and attended Queen’s Park State School. Peter’s uncle was running the electrical trades department at Perth Technical College. Peter decided to go into structures rather than become an electrician. He went to Forrest High School in Lord Street, East Perth to do his Junior. Then attended Perth Technical College for a year while Leederville Technical College was being built. Did his Leaving from Leederville Tech and won a scholarship to do Engineering at Perth Technical College. His Master was Erich Shilbury. Shirley Strickland taught Physics. After graduating, he was employed by the Architectural Department of the Public Works Department.&#13;
04:47	Perth Technical College was situated on St George’s Terrace. It had some older buildings behind it where Engineering and Chemistry were taught. There were a range of temporary buildings containing the canteen and a workshop. The Electrical Trades Department and the School of Architecture were housed in a new building on Terrace Drive. The architecture students were young whereas some of the Engineering students were mature, returned servicemen. Peter shared lectures with the architecture students and made friends with many of them which helped him later on in his career. Erich Shilbury had been a top engineer in Berlin and worked with Felix Samuely who went to work in London. Peter worked with Samuely in London later on. Shilbury had lectured in mathematics at Wesley College.&#13;
08:29	Peter graduated with an Associate in Structural Engineering (Civil) from Perth Technical College in 1953. He went to work for the Government. All of the major buildings in town were being constructed by the Public Works Department. Lew Harding was the Chief Engineer. It was a good job. Peter worked here for 2-3 years and then went to work in London. He worked with Samuely on the new American Embassy Building in Grosvenor Square and Brussels Exhibition buildings in 1958. The building work in London was more esoteric whereas the building work in Perth was more utilitarian. &#13;
13:13	Peter flew home and married his fiancée. He returned to work as a Senior Design Engineer with the Public Works Department from 1958-1961. [mobile phone rings] Peter feasted on European architecture such as the Player’s Theatre, a Victorian Music Hall. London still showed signs of bomb damage. A new town was being built at Harlow . Peter was not impressed with some of the building he saw here. Some of the construction was quite different to what he had been used to. He had had a year without pay and went back to designing high schools and such like for the Government.&#13;
18:15	Shilbury asked Peter to lecture at Perth Technical College part-time at night. He was working full-time and also running a private practice (PJ’s or private jobs) which you weren’t supposed to do. He took over Shilbury’s final year classes when he was on long service leave. Each government building was designed by a government architect. The principal architect was A E (Paddy) Clare. Government cadetships trained many of the architects around town. Architects and structural engineers worked together on buildings. Norm Gilchrist was the second in charge and became a partner in Bruechle Gilchrist and Evans. Peter also worked on State housing such as the block of flats on the corner of Hay and Outram Streets, West Perth. Neville Coulter was the architect.&#13;
24:51	Peter left the government in 1961 and set up in private practice. He rented a room in an office owned by architects Gus Ferguson and Tony Brand. The office was in St George’s House, now The Terrace Hotel. Brand &amp; Ferguson broke up later and Tony Brand went to Forbes and Fitzhardinge as their chief design architect. Peter started taking over more and more of the building and went into partnership with Norm Gilchrist and Ernie Evans. The firm grew and they later moved to new premises in South Perth. Eric Moyle paid Peter for work he hadn’t done to keep him afloat. Moyle later left architecture and became an artist. Peter worked with Ken Broadhurst on car parks and the grandstand at Subiaco.&#13;
29:20	Structural engineers at the time were Don Fraser, Leon Halpern and George Kadifa. Peter had some issues with Gordon Barrett-Hill but they became friends. Now there are lots of engineers and architects.&#13;
32:44	&#13;
&#13;
&#13;
Track 3	&#13;
00:00	There were two ways to become an architect before the School of Architecture opened at UWA in 1968. You could do a course at Perth Tech or you could study for the Board exams. Peter ran private classes in structures for the Board students. The Board students were thought inferior to the Perth Tech students and all of them later compared to university educated students. &#13;
04:36	The first lecturer at the School of Architecture at UWA was Lew Harding. Gordon Stephenson asked Peter to lecture part-time in structures. Peter had designed part of the Physics building at UWA and had got to know Gordon. Peter also did the structure for the Economics building and Marshall Clifton was the architect. Gus Ferguson was the architect for the Law School and Peter designed the structure. There were about 6-8 staff members: John White, Cal Green, John Cullen, Peter Grigg and Professor Hugo Brunt. Structures were regarded as an offshoot. Architecture students did not enjoy the subject so Peter tried to make it interesting and relevant. He took them to building sites such as Central Park. People involved with Central Park would also give lectures. External people also gave lectures in Peter’s course such as Ken Baker from Halpern Glick, George Kadifa, Gordon Barrett-Hill and Wally King, the State Manager of Leighton.&#13;
10:54	The core components of the course were materials, applied mechanics and how structures work, sizing hints and so on. Structures did not work in with the utilities. The services tend to run the design concept today. It is a lot more integrated now that computers are used. Peter stopped teaching in 1997. He felt that once computers became popular in the early 90s that he should move on. They did not use models. Computers enable people to design things because they can rather than because they should! He is not a fan of Frank Gehry! Peter feels buildings should have function.&#13;
16:38	The Law School at UWA is a first class building. Peter is also enamoured of Allendale Square. He is proud of Central Park. Problems around the building of the core of Central Park were used as a practical demonstration tool for the students. Buildings are problematic after 30 stories. They have to be built strong enough to withstand wind and earthquake, etc. To compensate for that, you need to have a strong core to stiffen the building.&#13;
22:00	There is an art to designing really tall buildings. Peter worked on Emirates Tower in Dubai. Emerging communities build tall buildings to show off their prowess but they are not particularly practical.&#13;
26:28	Exams were mandatory and Peter set the papers and marked them. He did not enjoy this but he does think that it is a good system of testing. Exams were just part of assessment and the students also did assignments as well. &#13;
30:53&#13;
&#13;
Interview 2&#13;
&#13;
Track 1	&#13;
00:00	Introduction by Julia Wallis&#13;
00:31	&#13;
&#13;
Track 2	&#13;
00:00	Peter was impressed with the early buildings at UWA but some of the government buildings at UWA were done to budget. Gordon Stephenson employed architects that would design buildings more sympathetic to the university environment. Gus Ferguson designed the Law School and the Guild Building. Roger Johnson was the architect for the Economics School. Peter worked with Roger as design engineer on this building. Tony Brand designed the new Music School. To avoid escalating building costs, Tony and Peter decided the building should be constructed in pre-cast concrete. This was the first (and perhaps last) time this method was used on the UWA campus. Peter had been pushing for this material to be used more widely. Central Park and Exchange Plaza were both built with pre-cast concrete. The audio requirements of the Music School were very strict. Some of the modern buildings were the Engineering School designed by Gordon Finn. Peter was involved with some of the structure for the Physics Building when he was still working for the government. Many of these architects were influenced by modern design.&#13;
06:19	The School of Architecture was located in make-shift buildings off Fairway. The new school was designed by Gus Ferguson. Physics and Chemistry were done by Public Works. Peter does not like some of the modern buildings designed today. He regards the Law School as being very people friendly. Gus Ferguson spent a lot of time developing off-form materials. The Law School is highly regarded. Off-form concrete was very popular in England. The first off-form concrete building constructed in Australia was Hale School War Memorial Hall. Gus Ferguson was the architect. Inside, he made panels of bomb craters in concrete. He used the materials for the Law School in a different way to make it more liveable. There was a great deal of experimentation done in order to get the right colour concrete. Part of the Economics School was built in off form concrete. &#13;
12:24	The Arts Building was designed by Marshall Clifton. The engineer was Don Fraser. They had problems with the foundations. The Law School foundations were dug out and taken away and compacted sand was used for the new foundations. It was cheaper than digging holes. There was once a well on the site so it had to be blocked up. Today the problem would be solved by piling. The Sports Centre was designed by Gus Ferguson to a budget. It has an off form concrete frame with brick structure. Gordon Stephenson wanted all the buildings on campus to link together. Peter was not involved with the new School of Architecture building.&#13;
16:54	The buildings at Murdoch university were designed by Gus Ferguson. Peter did some structures at Curtin with Gus Ferguson. A major building was the Administration Building and Tony Brand was the architect. Many of the buildings at Curtin were designed by the PWD architect using off form concrete (including the School of Architecture). Architecture is very much subject to the fashions of the time. The Reid Library at UWA was designed by Cameron Chisholm &amp; Nicol. It is similar to the National Library in Canberra. &#13;
21:28	When Gordon Finn designed the engineering school the buildings had roof trusses. Peter learned how to use rigid frames – now known as portal frames. Ferguson used boards with grooves in to hold them together with a slip tongue. Later, compressible plastic foam was used to minimise leakage. Laminated timber did not take off due to problems with the glues. The arches at Hale School are laminated timber. Innovations always cost a lot of money until it is worked out how to do it properly. Pre-cast concrete was used successfully in the Arabian Gulf. Floor could be erected very quickly.&#13;
28:08	The climate in the Middle East is very harsh and regulations not as strict. The building industry in Australia is now over-regulated. Personal responsibility is a thing of the past. The concrete was mixed with ice in the Middle East. Most of the concreting took place from 11pm when it was cooler. Desert winds blow sand and dust into the cities. When Peter first went to Dubai in 1972 it was very primitive. At that time, Saudi Arabia was the place that was developing. The tallest building in Dubai was the Hilton Hotel which was 2 storeys. When he returned in 1997 he was amazed by the changes. Peter worked on the Emirates Tower with Derek Robson from Multiplex. There were problems with the concrete that had to be sorted out.&#13;
40:15	Construction is a team game and needs to be played as such. Low fees mean people cut corners. Clear lines of authority and responsibility must be established. The construction of Kewdale High School was a team effort. Peter is regularly invited to arbitrate in construction disputes. The Redemptorist Retreat House in North Perth is a new building constructed from old bricks. Rob Campbell turned Fremantle Asylum into an Arts Centre. All the floors needed re-doing. The chimneys and roof structures had to be strengthened. Peter’s rule in BG&amp;E was they could do things they didn’t like and make money; they could do things they liked and lose money; but that they wouldn’t do things that they didn’t like and lose money!&#13;
47:47	Peter loved many of his jobs particularly the Music and Law Schools at UWA; Exchange Plaza and of course Central Park due to its innovation. Traditional buildings and Roman and Japanese architecture are inspirational. Inspirational design engineers were Erich Shilbury, Felix Samuely, Norm Gilchrist and Ernest Evans.&#13;
54:06	Climate was a factor in construction projects in the North West due to extreme heat or cyclones. Peter was involved with the construction of accommodation at Newman for Leightons. Sir Charles Court insisted that these were permanent towns. Peter also designed a railway tower and shunting yard. Eco sensitive building was never part of the brief, although in Newman he suggested houses be built with concrete materials sourced locally rather than bricks from Perth. Kingston Tower in Canberra was built with pre-cast concrete made in South Australia. &#13;
01:01:19	Peter finds adjudicating on construction matters very difficult as the system is so adversarial. He has recently been made an Honorary Fellow of the Institute of Engineers. He would like to see more teamwork in the construction industry and more selection on merit rather than on money.&#13;
01:05:13	</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Audio Files</name>
          <description>Links to audio files</description>
          <elementTextContainer>
            <elementText elementTextId="1148">
              <text>&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/b494929c312a53a0e1027906522d4b9a.mp3"&gt;Bruechle, Interview 1, Track 1&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/c55cca43cee8bb9c45e6c466d29bda20.mp3"&gt;Bruechle, Interview 1, Track 2&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/df8ad8d43ce661c7fa3a6e05e4913ef8.mp3"&gt;Bruechle, Interview 1, Track 3&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/1da1ecd4564c6263e64c7a928afc065e.mp3"&gt;Bruechle, Interview 2, Track 1&lt;/a&gt; &lt;br /&gt;&lt;a href="http://oralhistories.arts.uwa.edu.au/files/original/7b3642338b06e71023b21a5ff749cc51.mp3"&gt;Bruechle, Interview 2, Track 2&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="619">
                <text>Peter Bruechle interview, 5 November 2014 and 12 November 2014</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="702">
                <text>Architecture</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="703">
                <text>Peter Bruechle’s father and uncle were electricians but Peter decided to become an engineer. He studied engineering at Perth Technical College where he shared some classes with the architecture students. After graduating, he worked for the Public Works Department building houses and schools before taking a year off to work in London. When he returned to Perth, he worked for the Government again before leaving to set up in private practice. He was managing director of the Consulting Group, Bruechle, Gilchrist &amp; Evans, which he founded, from 1961 until his retirement from it in 1997. In 1997, he was appointed Design Manager on the Emirates Tower in Dubai, which when completed, was the tallest building in Europe and the Middle East. He taught at Perth Technical College on a part-time basis for ten years and lectured on structures on a part-time basis at the School of Architecture at the University of Western Australia for in excess of thirty five years (approximately 1962-1997).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="704">
                <text>Bruechle, Peter</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="705">
                <text>University of Western Australia Historical Society</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="706">
                <text>Copyright holder University of Western Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="707">
                <text>MP3 files</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="708">
                <text>Oral History</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
